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  • Vox AC15

    Went to see Oz Noy the other night. He had two AC30s, one was the cream hand wired version. It sounded glorious, like the best electric guitar tone I’ve ever heard.

    Used AC30s go for under a grand locally, and there are a few 15s for $4-500. I obviously want the AC30, but they’re loud and heavy. Is the 15’s volume that much more manageable?
    “I can play the hell out of a riff. The rest of it’s all bulls**t anyway,” Gary Holt

  • #2
    Love my Tech 21 Liverpool. All the AC flavor at a fraction of the cost. I have also heard great things about the Wampler 30 Something. I know you asked about the amp, I am not trying to derail just bringing up options.

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    • #3
      I've heard great things about the Liverpool. I get my AC30 fix from a Mesa Blue Angel, which has an EL84 setting.
      Administrator of the SDUGF

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      • #4
        I would go for the AC30.

        Double the watts does not translate into double the loudness and the AC15, while a nice amp itself, is not an AC30 and sounds different.

        Disclaimer: I’ve never owned one because it’s huge and heavy

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        • #5
          Love my AC30, and it's not as heavy as a Twin, once you understand how the Top Boost works, it's a fantastic amp.

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          • #6
            I’ve been wanting an AC-30 myself, but the AC-15 is much more affordable- unless you go for the AC30S1-but that has a digital reverb (bummer).

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            • #7
              Just a word of caution. Not all AC30s are made that well. Check out Psionic Audio's YouTube channel where he has a wealth of details and information about AC30s and AC15s. The AC15 is nothing like the AC30, at least in its traditional form. The modern ones are made more like an AC30, but not quite there. In either case, they are great amps if you can make the sound work for you. I am not a fan of them as I feel they are WAY TOO BRIGHT, but that is just me. I keep hearing the term " brightness is next to godliness " from country guitarists who like that kind of snap and bite. While it doesn't tickle my fancy, I do understand and appreciate that the sound of an AC30 has made the core of the sound for MANY an artist.

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              • #8
                the cut control can tame that brightnesss, it does take some time to figure out the eq

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                • #9
                  Originally posted by Liam1963 View Post
                  Love my AC30, and it's not as heavy as a Twin, once you understand how the Top Boost works, it's a fantastic amp.
                  How does the top boost work?

                  Sent from my SM-A115A using Tapatalk

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                  • #10
                    The most compliments I ever got on tone were from my AC-15
                    “For me, when everything goes wrong – that’s when adventure starts.” Yvonne Chouinard

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                    • #11
                      This is what I use for an EL-84 fix (fits any 6L6, EL34, or 6550 in grid-bias amps):

                      Click image for larger version  Name:	a3jnjaebidn2ytx32jml.jpg Views:	0 Size:	125.5 KB ID:	6182031
                      Last edited by LLL; 06-28-2022, 04:57 PM.

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                      • #12
                        Originally posted by Demanic View Post
                        How does the top boost work?

                        Sent from my SM-A115A using Tapatalk
                        The Top Boost is an additional gain stage on the Brilliant channel, with it's own Bass & Treble controls. A lot of folks think that the gain generated is a little excessive, as well as being ice-picky, but I run mine with a BOSS GE 7 EQ boosting the low end a little, and get a nice smooth overdrive. With an Epiphone Casino into it, I get a nice "snappy" trebly sound, kind of a cross between the British Invasion sounds and Tele twang....

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                        • #13
                          Originally posted by Liam1963 View Post

                          The Top Boost is an additional gain stage on the Brilliant channel, with it's own Bass & Treble controls. A lot of folks think that the gain generated is a little excessive, as well as being ice-picky, but I run mine with a BOSS GE 7 EQ boosting the low end a little, and get a nice smooth overdrive. With an Epiphone Casino into it, I get a nice "snappy" trebly sound, kind of a cross between the British Invasion sounds and Tele twang....
                          Just wondering because I use a Keeley Katana boost in the top boost mode for a lead drive. It gets downright frightening boosting the signal from the Metalzone.

                          Sent from my SM-A115A using Tapatalk

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                          • #14
                            I own an AC 15, have played AC 30's. The 15 can get stupid loud, the 30 insanely loud. I think the 30 sounds a bit fuller, but running 2 speakers will do that for you. The main difference, for me anyway, is the available clean headroom. The 30 can punch a sparkling clean to the back wall. The 15 is going to bring the dirt a lot faster. This may be good or bad, depending on what you need. Also, if you're running hot pickups, ( Super Distortions, in my case) a complete clean tone is next to non existent without rolling the guitar volume down. The AC 15 sounds absolutely vicious with a Rat distortion pedal !

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                            • #15
                              Originally posted by Ewizard View Post
                              I am not a fan of them as I feel they are WAY TOO BRIGHT, but that is just me.
                              The name of the engineer/designer of the AC15 and AC30 escapes me. I have read he was hard of hearing. Employees at VOX would have to yell at him to communicate. People think his hearing loss is what made him design the amp so bright. He had problems hearing high frequencies and dialed the amp in to compensate for his ears.

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