Old Plexi's: Difference between the JMP 50 & 100 Superleads and JTM's?

[unleashthejay]

Old Plexi's: Difference between the JMP 50 & 100 Superleads and JTM's?

Any info?

[Vasshu the humanoid typhoon]

Re: Old Plexi's: Difference between the JMP 50 & 100 Superleads and JTM's?

http://marshall.redpt.com/clay/marshall_circuits_101.html

[ErikH]

Re: Old Plexi's: Difference between the JMP 50 & 100 Superleads and JTM's?

http://marshall.redpt.com/clay/marsh...cuits_101.html

Awesome stuff. I never saw that page before. Thanks for sharing. That'll be a good lunchtime read.

[Vasshu the humanoid typhoon]

Re: Old Plexi's: Difference between the JMP 50 & 100 Superleads and JTM's?

Marshalls...how can we live without them??

[STRATDELUXER97]

Re: Old Plexi's: Difference between the JMP 50 & 100 Superleads and JTM's?

Marshalls...how can we live without them??

We can not!

[ErikH]

Re: Old Plexi's: Difference between the JMP 50 & 100 Superleads and JTM's?

Marshalls...how can we live without them??

I can't. It's part of my tone.

BTW, has anyone read anything on the Jim Marshall's condition?

[STRATDELUXER97]

Re: Old Plexi's: Difference between the JMP 50 & 100 Superleads and JTM's?

I can't. It's part of my tone.

BTW, has anyone read anything on the Jim Marshall's condition?

My overdriven/gainey tones have always been all about the crunchy,cutting,tighter,Marshall tones just after the JTM 45 tones,but I Love those tones also..

[ErikH]

Re: Old Plexi's: Difference between the JMP 50 & 100 Superleads and JTM's?

My overdriven/gainey tones have always been all about the crunchy,cutting,tighter,Marshall tones just after the JTM 45 tones,but I Love those tones also..

I hear ya. I always loved the sound of a Marshall on the edge, or pushed over it. Hendrix got great tones with them, EVH got the ultimate tone IMO with one, so naturally I wanted one. It took a while but I ended up with one.

My first two tube amps were Peaveys, a Triumph 60 (that I got for free 'cause it didn't work but it only had a blown fuse..hehehe) and then the 5150 script sig model. The Crate Blue Voodoo after that was a big mistake. Sounded great at low to medium volume levels but couldn't hang with the other guitar player's 50 Watt JCM800. After blowing that one up 3 times (cheap PCB), I said no more and a buddy of mine showed me the Marshall I still have 10 years later (thanks Johnny). The search ended.