I've been doing a lot of A/B-ing with my pedalboard today and noticed something somewhat surprising.
I decided to isolate three of my true-bypass effects to see how they interact, what's the best order, which add noise when on/off, etc. Here are the three pedals in question:
When I plug into only the compressor (i.e., signal path = guitar > compressor > amp) I get a nice, bright, punchy tone -- just what I want from a compressor. Adding the wah to the chain -- the signal is now guitar > compressor > wah > amp -- does not affect the tone of the compressor at all. This is good, of course. However, as soon as I add the third effect to the chain, the Sun Face, I notice some high-end rolloff in the compressor's tone along with a decrease in punchiness. This is decidedly not good.
Just to ensure it wasn't a problem specific only to the Sun Face, I replaced that with a BSM OR Treble Boost (also true-bypass and also turned off) as the third effect in the chain. Sadly, using the BSM pedal resulted in the same tonal loss as did using the Sun Face.
So my question is this: Are the additional six inches of cable plus whatever distance the signal passes through the third pedal really enough to create signal loss, even if all three pedals are true-bypass?
The great Pete Cornish recommends against using true-bypass pedals (see his article: http://www.petecornish.co.uk/case_ag...ue_bypass.html) and suggests the use of pedals with a high input impedance (one that matches the input impedance of the amp) and a low output impedance. If this is the solution, how do I achieve this?
- Keith
I decided to isolate three of my true-bypass effects to see how they interact, what's the best order, which add noise when on/off, etc. Here are the three pedals in question:
- Analog Man Bi-CompROSSor (compressor)
- Teese RMC3 (wah)
- Analog Man Sun Face NKT-275 (Fuzz Face clone)
When I plug into only the compressor (i.e., signal path = guitar > compressor > amp) I get a nice, bright, punchy tone -- just what I want from a compressor. Adding the wah to the chain -- the signal is now guitar > compressor > wah > amp -- does not affect the tone of the compressor at all. This is good, of course. However, as soon as I add the third effect to the chain, the Sun Face, I notice some high-end rolloff in the compressor's tone along with a decrease in punchiness. This is decidedly not good.
Just to ensure it wasn't a problem specific only to the Sun Face, I replaced that with a BSM OR Treble Boost (also true-bypass and also turned off) as the third effect in the chain. Sadly, using the BSM pedal resulted in the same tonal loss as did using the Sun Face.
So my question is this: Are the additional six inches of cable plus whatever distance the signal passes through the third pedal really enough to create signal loss, even if all three pedals are true-bypass?
The great Pete Cornish recommends against using true-bypass pedals (see his article: http://www.petecornish.co.uk/case_ag...ue_bypass.html) and suggests the use of pedals with a high input impedance (one that matches the input impedance of the amp) and a low output impedance. If this is the solution, how do I achieve this?
- Keith
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