Re: Bass strings
That's the thing . . . there is no funk on them. I've hardly messed with it since putting the La Bella's on there. It was the weird gold tint, (in bad lighting), that I mistook for ageing. The strings are like new.
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Re: Bass strings
Try the boiling trick I mentioned. It’ll get any residual funk off of them. However, lots of flats players dig the funk buildup.
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Re: Bass strings
Originally posted by ArtieToo View Post. . . and my J desperately needs new strings.Originally posted by ItsaBass View PostFWIW, I use LaBella Deep Talkin’ .052–.110” flats as my go-to set.
Found the thread. It was in mid 2018. Funny how one's opinion can change when they have something else to compare too. I'll have to see if I can EQ these back into life.
https://forum.seymourduncan.com/show...ome-La-Bella-sLast edited by ArtieToo; 03-01-2020, 03:52 PM.
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Re: Bass strings
Originally posted by ArtieToo View PostI'm intrigued by the concept of the "half-rounds", and I'd also like to try some SIT's. What caused you to take them off so fast? This would be for my Tobias J.
SIT Power Wound nickel - All around awesome string. Great life, retains the brightness for a long time through considerable abuse. I've been through several sets of these over the years. Prior to trying the Foundations, if I had to stick with a single type of string, this would be it.
SIT Silencers - Darker than the Power Wound but still very clear and present. They mellow a little quicker, but don't continue to darken over a long period. If a half/ground-wound was what I had to use, I'd be perfectly happy with these, but I overall prefer rounds.
SIT Rock Brights nickel - It's been a long time since I used these, but I remember loving them. SIT's thing seems to be a clear, full tone. I need to try another set.
SIT Foundations nickel - Put these back on my Warwick last night, and they're my overall favorite string. They have low tension, but not sloppy. As you can see, I really get along with most of SITs offerings, but these are a notch above.
Dunlop Super Bright nickel - Similar to the Foundations, but lower tension. I've heard a lot of mixed reviews, but I like them. I could use these full time and be very happy with them, and they're pretty cheap.
Ernie Ball Slinky - I've only tried these on my Yamaha PJ, but they sound great on that bass. Good all around tension, not tight, not loose. When I listen to any of the Tool songs with big clean bass parts, a big part of that sound is Ernie Ball strings.
D'Addario Chromes - Lots of people really love these. I don't hate the sound, but flats feel absolutely disgusting to me. I could get used to the left hand feel, but plucking them is just gross.
D'Addario Half-Rounds - These feel worse than the flats. They feel extremely abrasive on both hands, but they sound good.
D'Addario NYXL - Another awesome string. They growl a little less than the Foundations, but I could be perfectly happy using them as well. Higher tension than the Super Brights or the Foundations, but still very comfortable.
Rotosound Flats - I don't remember which ones, but I put a set on a buddy's fretless 5 string awhile back. We both believed the common misconception that you must use flats on a fretless, so that's what he bought. All I remember is thinking they felt gross and sticky.
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Re: Bass strings
FWIW, I use LaBella Deep Talkin’ .052–.110” flats as my go-to set. Flats have always been what I’ve played on, since I started playing in the ‘80s as a kid. Only now am I starting to keep a few basses strung up with different varieties of rounds.
Chromes are atypical sounding flats. They are pretty much designed for people who like the feel of flats, but not the tone of flats.
I have D-Addario half rounds on one shorty that takes short scale strings, and one shorty that requires medium scale strings. I wanted half rounds on these basses, and there isn’t a whole lot out there in the short and medium scales. I wish the strings were fatter (I find .100s to feel overly thin under my fingers). But the feel and tone are fine to me. I wanted a bit more tooth under my fingers on these basses, but not to the level of roundwounds.
One of my Mustangs has LaBella Beatle Bass medium scale rounds. I was coming from the disgustingly floppy/flimsy .040–.095” stock strings. I wanted something that was one notch heavier on the low strings, but two notches heavier on the high strings...plus being available in medium scale. These LaBellas fit the bill at .050–.100”. Very nice set of strings, but IIRC, they are only made in a 34” wound string length (i.e. they are too short for regular scale basses). They have a roundwound tone and feel, but not to the extreme.
Another Mustang wears LaBella D-Tunas. These are .111” rounds designed for drop tuning on regular scale basses. But I use them in regular tuning on a shorty, in order to get thick rounds. They sound and feel incredible. All the cool stuff about rounds, but without the skinniness and lower tension that most roundwound sets have.
Rotosound 66s are the classic industry standard rounds, just like LaBella Deep Talkin’s are the same in the flatwound realm.
One of my builds will be getting balanced tension D’Addarios, which use a .120” E string. Can’t wait to try those.
Rotosound 88s if you want fat, smooth strings with the closest you’ll get to an upright tone (one of my Ps wears these).
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Re: Bass strings
Yes, strings make a huge difference.
But they also make a huge difference on guitars. I don’t believe that they make any more difference on bass.
If people really explored strings and setup in depth, learned how to e.q. things well, and used outboard e.q. units more, I think there’d be much lower demand for aftermarket pickups. Not zero, but a lot less.
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Re: Bass strings
Originally posted by Demanic View PostGot to get a new set for my 5 string Jackson. Going on 3-1/2 years old. Went with EB Cobalts last time. Thinking of something by Dunlop, or maybe Rotosound. I want bright, if anyone has any recommendations.
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Re: Bass strings
Originally posted by ArtieToo View PostI'm intrigued by the concept of the "half-rounds", and I'd also like to try some SIT's. What caused you to take them off so fast? This would be for my Tobias J.
The Silencers are cool. You’ll probably be a little underwhelmed by how not flat they are at first, but the left hand noise is definitely less. Also, I like them way better than the D’Addario Half-Rounds. Much more pleasant texture. When I get a chance, I’ll pack up the Half-Rounds and send them your way if you’d like to try them.
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Re: Bass strings
Got to get a new set for my 5 string Jackson. Going on 3-1/2 years old. Went with EB Cobalts last time. Thinking of something by Dunlop, or maybe Rotosound. I want bright, if anyone has any recommendations.
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Re: Bass strings
Originally posted by JB_From_Hell View PostI used to be a huge fan of half-round strings, specifically SIT Silencers. They feel much better than the D'Addario Half-Rounds, which felt like playing on sandpaper. They sound ok, but didn't spend much time on the bass.
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Re: Bass strings
I tried d'addario chromes on a squier PJ and they still seem kinda bright to me, was thinking the change from the fender rounds would be greater. They seem kinda versatile but I want to try flats with a bit deeper old school sound, I like the feel.
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Re: Bass strings
Been on a string binge lately. After getting used to my Warwick, my fretted basses always sound clanky, so these are all based on fretless experience.
In the last few months, my Warwick has worn D'Addario Half-Rounds, Chromes, and NYXLs, SIT Foundations, Silencers, and Power Wounds, GHS Boomers, and Dunlop Super Brights. All sets were either 45-100 or 45-105.
I'm glad I tried a set of flats (Chromes), but they're not for me. They're comfortable for my left (fretting) hand, but they feel gross on my right hand. I put them on my fretted P bass after the Warwick, didn't like them there, either.
I used to be a huge fan of half-round strings, specifically SIT Silencers. They feel much better than the D'Addario Half-Rounds, which felt like playing on sandpaper. They sound ok, but didn't spend much time on the bass.
My preference is clearly bright, ultra flexible strings. NYXL, Super Brights, or Foundations are all great, and I think I could use any of them and be pretty happy. I'm currently using the NYXLs, which have a little more tension than the Super Brights, but are very easy to play. The added tension gives a little cleaner sound with my sub-2mm on the low E action*.
* Before anybody mentions that this is too low, it's not. Setup this way, this is the most expressive instrument I've ever played, and is the only electric anything I've owned that I love with a 100% squeaky clean tone. No drive, no 'verb, no nothin.
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Re: Bass strings
Originally posted by JB_From_Hell View PostI recently put SIT Foundations nickel on my Warwick. They’re my new favorite.
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