My amp is pretty clean sounding unless cranked, and I think I want a slightly overdriven bass sound for some songs. What's a good OD for bass? I've tried my Boss BD-2, and don't like it . . . cuts lows. The fuzz face that I have can be tweaked to sound OK, but I think it kills a little too much low end. Big muff doesn't kill bass, but seems ludicrously oversaturated for what I'm looking for. Any suggestions?
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What's a good overdrive for a J-bass?
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What's a good overdrive for a J-bass?
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Originally posted by Douglas AdamsThis planet has - or rather had - a problem, which was this: most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movements of small green pieces of paper, which is odd because on the whole it wasn't the small green pieces of paper that were unhappy.Tags: None
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look for something with a clean blend, thats what ive always found works best for me with bass. one of my bass amps, svt5pro, has an overdrive channel that sounds awesome when blended with the clean. even more awesome if you add the octave down! though thats not very useful in many situations.
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In my limited semi-pro bassist experience, Tech 21 gear rocks. Makes sound guys happy, other musicians seemed impressed with my choice of gear, recordings sounded good, and the tone was more juicy and delicious than it was without the Tech 21 in the chain. My Sansamp has some drive functions which sounded pretty darn good to me. Not a connoisseur of bass gear (my rig is P Bass into Sansamp into anything), but I can't say enough good things about my experience with Tech 21 and I wouldn't hesitate to investigate their line of products more.Originally posted by crusty philtrumAnyone who *sings* at me through their teeth deserves to have a bus drive through their face
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Tech 21 Bass Driver DI - It’s an amp sim + DI, but it can be used like a distortion pedal. Not pretty to listen to on its own, but it sits the mix really well and pokes through in all the right places.
Ampeg Scrambler (the stand alone effect) - Has a broad range of dirt, sounds like an extension of an SVT, and keeps the bass sounding like a bass. Sounds best with the tone low, around 9:00 to 10:00.
MXR Bass Fuzz - Relatively subtle fuzz, great if you’re not looking for over the top.
MXR Bass Distortion - Basically a Rat with a clean blend. Great if you are looking for more than the Bass Fuzz, but not so much as a Big Muff.
|| Guitar | Wah | Vibe | Amp ||
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Originally posted by Securb View PostI have played with two bass players that used the MXR both sounded fantastic.
But - Might I suggest a simple Boss Bass OD with the tone tweeted towards treble a touch?Originally posted by Bad City
He's got the crowd on his side and the blue jean lights in his eyes...
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+1 on the Tech21 Bass Driver. I've used the programmable version since it first came out.
Perfect OD texture for bass - sits really well in a mix, as has been said.
It has clean blend and 3-band EQ - Bass, Treble, & Presence.
You can store three presets.
Runs on battery, wallwart, or phantom power.
All analog and robust enough to survive years of gigging.
PS: If you just want an on/off bass drive, a nonprogrammable version has a Mids knob with switchable frequencies..
"You should know better by now than to introduce science into a discussion of voodoo."
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Originally posted by CaptainWhizz View Post
In terms of bass OD, Jesus probably plays something listed in this thread. Actually, Jesus probably uses a wall of Ampegs just cranked up.“For me, when everything goes wrong – that’s when adventure starts.” Yvonne Chouinard
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The Tech 21 certainly seems cool, but I balk at the price. It's almost the same price my bass was. I'm intrigued by the EHX crayon though . . .Join me in the fight against muscular atrophy!
Originally posted by Douglas AdamsThis planet has - or rather had - a problem, which was this: most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movements of small green pieces of paper, which is odd because on the whole it wasn't the small green pieces of paper that were unhappy.
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