I've been very confused over the last couple of years about the quality of marshall amps. At one point, i found myself hoarding cash to buy a good dsl or something. But after visiting this forum and learning more about the amps, i realized that something's up with Marshall, and that they've been riding their name brand instead of their product quality to make money these days. I always pictured myself with a les paul playing though a marshall, but i now feel that both gibson and marshall are out to take my money in exchange for mediocre name brand products. What's the deal here! Help, someone inform me about this name brand tragedy!
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Whats up with the new Marshall Lineup? Do they make good amps anymore?
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Whats up with the new Marshall Lineup? Do they make good amps anymore?
2004 50th Anniversary Deluxe American Strat, SETH-N BRIDGE, ANT 2 SURFER MIDDLE, ANT 2 DLX MINI HUM NECK
280K RS guitarworks volume pot, 250k cts tone pots, .047uf paper in oil Jensen aluminum capacitor, running D'addario Chromes 13's with wound g > Analogman Orange Juicer>Acoustic 200H Bass head> Alesis Picoverb> unknown 12'' JBL Orange car speakerTags: None
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Re: Whats up with the new Marshall Lineup? Do they make good amps anymore?
I for one would agree that Marshall in partictular has been declining in quality for some time. The DSL is considered by many to be the best amp they've produced in some time, although many say that some of the re-issue series amps (Plexi, ect) are very good.
I think in general for many manufacturers it has become necessary in todays market to go to more mass produced components like pre-printed circuit boards in amps. This allows them to keep production up without skyrocketing material or labor cost. Truth be know, I believe it is the labor cost that is mostly responsible.
Materials for hand wired amps are not so much more expensive than circuit boards as to make them cost ineffective, but the labor to hand solder and test every circuit is. However, this is why many have gone to boutique amp makers....quality PTP construction, and they have shown they are willing to pay the extra money for it.
I think Marshall would be well served to reproduce some of their legendary circuits in a PTP configuration, and charge a little more money for them. If it's between a $1300 TSL, or a hand wired copy of a JCM or Plexi for $1600....I'd bet there would be a fair amount of people willing to pay the difference.
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Re: Whats up with the new Marshall Lineup? Do they make good amps anymore?
good point! I agree about the fact that mass production really lessens the quality of amps because of quality control etc, but what's the difference between a printed circuit and wiring? Isn't a connection a connection? I know that most handwired amps sound better than ultra mass produced amps like modern marshalls, but can't they squeeze good tone out of a printed circuit?2004 50th Anniversary Deluxe American Strat, SETH-N BRIDGE, ANT 2 SURFER MIDDLE, ANT 2 DLX MINI HUM NECK
280K RS guitarworks volume pot, 250k cts tone pots, .047uf paper in oil Jensen aluminum capacitor, running D'addario Chromes 13's with wound g > Analogman Orange Juicer>Acoustic 200H Bass head> Alesis Picoverb> unknown 12'' JBL Orange car speaker
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Re: Whats up with the new Marshall Lineup? Do they make good amps anymore?
Marshall have just released three point to point, boutique quality amps. UK Guitarist has a review in the next issue. One is a plexi head, another is an 18 watter, and another is a 40 watter (I think).Originally posted by Jolly...but then again, I'm so deaf I can't even hear myself fart.
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Re: Whats up with the new Marshall Lineup? Do they make good amps anymore?
Originally posted by Quencho092good point! I agree about the fact that mass production really lessens the quality of amps because of quality control etc, but what's the difference between a printed circuit and wiring? Isn't a connection a connection? I know that most handwired amps sound better than ultra mass produced amps like modern marshalls, but can't they squeeze good tone out of a printed circuit?
Basically, situating components (or the tracks the components run on, can't remember if it's either or both) too close together on a PCB can cause capacitances that affect tone. A properly designed PCB amp should be able to avoid this, and GJ cites THD and Bogner as good examples of this. And from what I hear, I'd say he's right. The new THD stuff sounds superb.
My local amp guru backed up GJ's opinion when I asked him last weekend.
He said that PTP amps are great for him, because he can service them quicker. For example, a scratchy pot in an early fender is a few minutes work to replace, whereas a new fender will be an hour's work due to having to pull the chassis and board out to get to it.Originally posted by Jolly...but then again, I'm so deaf I can't even hear myself fart.
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Re: Whats up with the new Marshall Lineup? Do they make good amps anymore?
I've never been a real tube snob or P to P snob, only because I realize that a great amp is more often the result of a well thought out design....not necessarily the components.
Fortunately, Marshall and Gibson have always catered to every corner of the music market, so you can't really bash them for making gear that's affordable to kids on a budget. One good thing about this forum is that we can discuss the pros and cons of every piece of gear out there.
I'd like to say that the Reissue Plexi 50 is the best thing they've made since 1973, but the truth is "best for what?" I guess I can only make a list of the best Marshalls I've plugged into, and who they're targeted at.
For highgain, versatility, and singing lead tones...
Jubilees, 30th Ann (blue), DSL 50 & 100, JCM 900 SLX. and JMP-1 preamp.
For 80's rock tones. The above + JCM 800's, 900's, and modded 800's and JMP's.
For "the classic Marshall sound" Reissue 1887X & SLP100, 67-73 Plexi/JMP's, JTM45, in general, any Marshall with 'all tolex' on it's head, gold piping, and NO cornercaps.
For "garage/punk ala Ramones" and gritty sounding bluesrock. 74-80 MKII Mastervolumes. 2 inputs, tolex head w/big white piping & cornercaps.
Also, JCM 900 Dual Reverbs.
That covers most tube amps. The Mode 4 was Marshalls answer to the scooped Nu Metal crowd, hoping to compete with Mesa Rec's. the AVT series was aimed at competing with Line 6. The rest is aimed at players on a budget, or bedroom amps.Last edited by Gearjoneser; 07-27-2004, 06:45 PM.Originally posted by Boogie BillI've got 60 guitars...but 49 trumpets is just...INSANITY! WTF!
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Re: Whats up with the new Marshall Lineup? Do they make good amps anymore?
Dumb question alert::
Joneser... the Slash and the Silver Jubilee are basically the same amp. Yes?
I saw a Slash Halfstack on ebay the other day... head AND slant cabinet. I kicked myself 'cause I'm a just poor boy nobody loves me. I think it was about $1200 with 6 days to go.
-MattOriginally posted by Scott_FOn that day, should I ever be so unlucky, I will expect an unholy assault of pure metal mayhem attacking all my senses with a little tiny voice in the background screaming Effing Hails!
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Re: Whats up with the new Marshall Lineup? Do they make good amps anymore?
Yeah, the Silver Jubilees were the 25Th Ann. Marshalls released in 87. They also issued them in black in 88, called the Custom Series. Then, Slash made the 2555 hundred watt his signature amps. All had Drake Transformers. Some early DSL's had Drake transformers too. Those are the best trannies for Marshalls, and they recently started using Axiom transformers, which look cheaper.
That's the problem. Marshall keeps cutting corners, while their competition starts putting better quality into their amps. Many modern boutique companies are using Mercury Magnetics transformers, which ironically are down the street from me. That company reverse engineered all the greatest power transformers, basically stealing the best ideas, and making the best 'main parts' of guitar amps in the business.
Much of the reason why guys say "older is better" is because the main components of amps were higher quality. The newer amps cut corners by giving you cheaper transformers, PC board mounted tube sockets, and PC board mounted pots. Every corner you cut, hurts the fidelity of the amp. That's why people pay more for handbuilt amps.Originally posted by Boogie BillI've got 60 guitars...but 49 trumpets is just...INSANITY! WTF!
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Re: Whats up with the new Marshall Lineup? Do they make good amps anymore?
Say what you will, I still think that my DSL is a very good amp, It can hang with anything else I've ever heard, but then, it had a new and better transformer added, and that made alot of difference.Fender Classic 60's Strat
Epi Les Paul - PG/SH-4
DSL50 w/Avatar 2x12 (V30/G12H30)
Vox V848 wah
Line 6 MM-4
Ibanez TS-9 Tubescreamer
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Re: Whats up with the new Marshall Lineup? Do they make good amps anymore?
[ I think Marshall would be well served to reproduce some of their legendary circuits in a PTP configuration, and charge a little more money for them. If it's between a $1300 TSL, or a hand wired copy of a JCM or Plexi for $1600....I'd bet there would be a fair amount of people willing to pay the difference.[/QUOTE]
They are now offering a line of PTP AMPS. Check this link. If it doesn't take you to the PTP page, do a search for "hand wired"
The other optin is to seek out a used one. Depending onwhat you are looking for they can be had as long as you are prepared to pay the price. I am currently considering eithr the 1087 Plxi RI or the JCM 45. I have not been able to find these two side by side yet.
Last edited by Bludave; 07-28-2004, 07:32 AM."So you will never have to listen to Surf music again" James Marshall Hendrix
"When the power of love overcomes the love of power, then the world will know peace."-Jimi Hendrix
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Re: Whats up with the new Marshall Lineup? Do they make good amps anymore?
Originally posted by GearjoneserYeahThen, Slash made the 2555 hundred watt his signature amps. .Originally posted by Scott_FOn that day, should I ever be so unlucky, I will expect an unholy assault of pure metal mayhem attacking all my senses with a little tiny voice in the background screaming Effing Hails!
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Re: Whats up with the new Marshall Lineup? Do they make good amps anymore?
Originally posted by JammerMattGotcha. What's a 2553?
Fenders: '69 CS Strat; Hwy1 Strat SSL2's, SSL3T;CP Jaguar
Gibsons: LP DC STD Seth & Brobucker; LP STD Plus PGn & CC; (2)ES-335's; LP R7 Custom SNS & C4; LP '68 Custom '59A4 & C5; LP Trad 2014 PG & SNS; Explorer PG & C4; SG Std '57 & BB3;
Jacksons: SL2H w/DMZ AN & Super D; DK1 w/59 & C5; Dinky Elite, DK2 w/AN & AZ, RR5FR
Marshall 2550 Silver Jubilee; JMP 2203, Vox AC15C1; Gibson Super Goldtone GA30RV; Suhr CAA-OD100SE+, CAA PT100; Fender Vibrolux Reverb
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Re: Whats up with the new Marshall Lineup? Do they make good amps anymore?
Originally posted by GearjoneserI've never been a real tube snob or P to P snob, only because I realize that a great amp is more often the result of a well thought out design....not necessarily the components.
There's plenty of well designed PCB amps out there, just like there's plenty of rats nest PTP amps. One is not neccissarily better than the other.|| Guitar | Wah | Vibe | Amp ||
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Re: Whats up with the new Marshall Lineup? Do they make good amps anymore?
i will tell you one thing. the mode 4 really bites. its sounds like a bloody solidsate. i have a tsl and a jcm 900 and i love those but the mode 4 is inferior.Down at the edge, close by a river.
Close to the edge, round by the corner.
Close to the end, down by the corner.
Down at the edge, round by the river.
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