I have been installing Kahlers and Floyds for my clients since the 80's and you are as full of crap as you can be!!!!!!
Both systems are large chunks of metal on a wooden guitar. Yes they change the tone from a non-vibrato guitar. But neither tone is horrible. Kahlers are actually MORE stable than Floyds. They have ball bearings for LESS friction, not fulcrums on pivot points.
I say AGAIN, you are FULL OF CRAP!


Both of mine are 23xx series IIRC. Here is a brief explanation of the operation. I am confident there is more detailed info out there.
https://www.premierguitar.com/articles/12621-trem-wars-the-whammy-arms-race?page=5
This link has some close-ups and descriptions at the top. I am glad I found it as I am not sure where my original instructions are.
http://www.glowingtubes.com/p/Kahler_Instructions.htm
Some of my typical low quality phone pics showing mine.
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I watched one of his personal youtube videos and he said that the bridge is still the Super Distortion, but the neck is a Dimarzio "fast track".
If they copied Clint, their guitars wouldn't have a neck pickup.Looks like Fender just copied the Clint 55 Strats for the latter!
Clint should get a cut of the profits.
Maybe nostalgia? Maybe meant for the guys who used them back in the 80's, like me when I was experimenting and would have nothing to do with Telecasters.:scratchchgiven that fender owns Charvel and Jackson . . . not entirely sure why they're making these models.
the railtail by Floyd Rose and the Sophia Trems are fairly new and a new take on current trems? The Tremking and SuperVee were also fairly fresh designs but each had their own struggles. (The blade on the superVee could snap after heavy abuse and the rolling pins on the Tremking could wear out and simply stop returning to its neutral zero after a while).
Isn't the Floyd rail tail just the equivalent of a blocked Floyd? Not sure why that needs a whole new bridge.