This looks pretty awesome, and it ends up sounding good too (he starts the rebuild at 5:23 in the video if you want to fast forward to the good part):
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Strat with 100% Aluminum Replacement Neck
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I know it has been used in the past for necks (Kramer, Travis Bean)...and it heats up if you are playing outside in the sun. I think this neck in the video would be better with some sort of satin finish, as it picks up fingerprints pretty easily.Administrator of the SDUGF
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Hmm... defintely interesting.
But I think I'll go with wood so far; I can't afford any new instrument for the next 5 years; .. being in debt isn't cool.If somethings important- send a PM. I might be offline for long periods. Rock on!!!
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If more builders did research into using composites, they could come up with "wood equivalents" that sound identical or better than wood, and that would eliminate variance in pieces.
Composite bodies with wood veneers, composite neck with wood boards would still look like traditional guitars.
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Originally posted by Top-L View PostIf more builders did research into using composites, they could come up with "wood equivalents" that sound identical or better than wood, and that would eliminate variance in pieces.
Composite bodies with wood veneers, composite neck with wood boards would still look like traditional guitars.
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Originally posted by Top-L View PostIf more builders did research into using composites, they could come up with "wood equivalents" that sound identical or better than wood, and that would eliminate variance in pieces.
Composite bodies with wood veneers, composite neck with wood boards would still look like traditional guitars.Administrator of the SDUGF
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Can you imagine the set starting and you can't touch the guitar neck because it is way too hot. Wow.Administrator of the SDUGF
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Originally posted by Mincer View PostCan you imagine the set starting and you can't touch the guitar neck because it is way too hot. Wow.
Aside from playing comfort, thermal expansion was a nightmare too. I could only use it for a couple of songs at a time because it'd go sharp under the stage lights. For awhile our show involved the singer playing rhythm for a couple of tunes mid-set and she liked the Kramer because it was small (and pink). The stage tech would need to retune it just before handing it to her. Afterwards it'd cool down and need another retuning before it could be used again. Our stage guys hated that guitar.
As you might imagine, with a solid aluminum neck and that tiny rifle-butt body, the guitar was quite neck-heavy. A wide leather strap with a rough back had just enough friction to hold it in position. Mostly.
One other quirk with it was that the anchor for the ball end of the strings was affixed to the neck with a single big hex screw in the center. If the anchor got bumped it could shift and the strings on one side would go sharp while the ones on the other side went flat. Suddenly unplayable. That happened to me a couple of times. Later versions had two hex screws to prevent this I think..
"You should know better by now than to introduce science into a discussion of voodoo."
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I think a material like carbon fiber is good for stability in more extreme temps. Also, if a guitar is neck heavy, it is just about unusable for me, no matter how good it sounds.Administrator of the SDUGF
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Originally posted by Mincer View PostI think a material like carbon fiber is good for stability in more extreme temps. Also, if a guitar is neck heavy, it is just about unusable for me, no matter how good it sounds.
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Originally posted by eclecticsynergy View PostCarbon fiber might be more sympathetic to vibration, too.
Aluminum is pretty much the opposite of lively - it sustains like crazy, but it doesn't sing.Administrator of the SDUGF
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