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Tele bridges: 6-saddles vs 3-compensated?
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Originally posted by ArtieToo View Post
Callaham is saying that their 3-saddle units intonate perfectly.EHD
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Oh gods, the og Jazzmaster bridge is the worst.
Originally posted by esandes View PostI'm not a fan of the vintage tele bridge, the bent steel strat saddles and the original jazzmaster bridge. When strumming or attacking hard the string moves around on the saddle.---------------------------
The most popular thread I've ever made was 1) a joke and 2) based around literally the most inane/mundane question I could think of. That says something about me, or all of you, or both.
https://forum.seymourduncan.com/show...or-for-a-Strat
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Thought I would share this. I met up with my old guitar teacher this week and he tossed me several Tele parts to play with - vintage done knobs, wiring kit, electrosocket jack and a 60s reissue 3 saddle bridge w\ steel saddles. Obviously didn't wait long to install the bridge and there's certainly some differences with the 3 saddle bridge. First the bridge plate is about half the thickness as the newer MIM\MIA Standard 6 saddle bridges and much lighter. I haven't put it through it's paces but the tone is lighter and airier. With the 6 saddle bridge I was changing my picking technique and went to a thinner pick to get the twang out - with the 3 saddle, the twang is omnipresent. Acoustically there is more top end and less mids with the 3 saddle. And the plate on the 3 saddle is much coarser than the smooth 6 saddle plate - quite a few bumps and ridges.
Here's photos of the axe with the two bridges on. If I had more Tele experience I'd say the 3 saddle sounds more like the Teles I hear on recordings, and the 6 saddle gives a beefier sound.Originally posted by crusty philtrumAnyone who *sings* at me through their teeth deserves to have a bus drive through their face
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