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D'Angelico intel?

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  • ICTGoober
    replied
    Before someone thinks I'm anti-Asian guitars, I should tell you I love my Eastman archtops. And my Ibanez stuff, and my Washburn stuff, and Dean stuff.... you get the idea.

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  • Mincer
    replied
    I am not sure an Exel made in 1965 is a direct comparison to a modern one. At the high end, D'Angelicos are $2k, and under $1k at the low end. There are a ton of Asian and North American guitars that can compete at that level.
    You either dig the aesthetics of a D'Angelico or don't- I like the vintage ones, but the modern ones look a little too bling-y to me.

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  • NegativeEase
    replied
    For Jazz and similar pricepoint try the Starfire II



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  • NegativeEase
    replied
    Starfire is half the price and a better guitar

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  • NegativeEase
    replied
    IME, I think these modern D'Angelicos play poor and have that ratty resonance like a pawn shop import from the 80s. but some people really love that thing....

    Granted, I've played maybe 20 of them in the last 7-8 years in stores and none was setup like I would like, but then again none of them approached the feel of an Ibanez, Guild, Gibson or Gretsch under the same constraints.

    If it were me, I'd look at Guild Starfires -they are not expensive (half the money of a D'angelico and much better guitars in my experience -and have a cool sound


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  • nexion218
    replied
    I agree that that the Asian product aversion is overdone at times, but at times it is warranted. They basically produce what is paid for. But Goob is also right - the OG D'Angelico's were truly exceptional instruments according to those who had lo luck of having one.



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  • ICTGoober
    replied
    a dying brand.
    DUDE. A dying brand? You realize John D'Angelico was ONE GUY making the finest guitars on the planet in New York up until he died in 1964? And then his apprentice - Jimmy D'Aquisto took over and built the finest guitars on the planet until his death in 1995? Again - ONE GUY.

    You probably didn't mean to sound so callous or clueless - but your lack of history obscured your view. D'Angelico and D'Aquisto guitars are still selling for $40,000 when you can find one for sale. They are instruments that are beyond "brands" because they are so far above a factory made guitar that will NEVER be as valuable as the REAL DEALS.

    John and Jimmy's instruments are NOT dead and NOT dying. They will live on longer than anything made in the last 5 years by that Asian company. Show some respect, man.

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  • ThreeChordWonder
    replied
    The d'Angelico trademark was bought by Steve Pisani, John Ferolito Jr. and Brenden Cohen in 1999. Cohen serves as President and CEO. Like it or not, by switching mainstream production to the Far East probably saved a dying brand.

    Their instruments, with the exception of the very expensive Master Built ones still made in NYC, are manufactured in the Far East for sure, but isnt just about everything these days?

    And don't give me the "I won't buy anything Asian", as you drive to your gig in your Honda Accord, or worse, Kia Soul, Boss Katana amp in the back...

    I've seen a large selection of their models at the Snowmass, Co. Jas Festival a couple of times. There's a d'Angelico store in downtown Aspen. The dealer usually offers around 25% off at the show BTW.

    Build quality and finish is top notch. I think all their models come with really nice hard cases, and if not, you can probably persuade the dealer to add one for free.

    They're great looking guitars too. Lots of "bling for the buck" one might say. I have a secret hankering for a big old Deluxe DC with its big old tremelo, getting my Teddy Boy gear on and doing a Stray Cats thing... must get that prescription refilled...

    My Bowery Excel is a great acoustic. More expensive (by far) than the hundred buck "Fenders" from China, but far better finished, better looking, and it came with both a piezo pickup and a built in tuner and tone control (for the piezo) unit.

    As for the sound, that's all in your own ears.
    Last edited by ThreeChordWonder; 10-05-2021, 06:03 AM.

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  • nexion218
    replied
    Originally posted by ThreeChordWonder View Post
    are now made in the Far East.

    The Premiers only come with "designed by SD" pickups.
    I was pretty sure they are asian made, which can be anything from damn good to utter crap, but I did not see it anywhere on their site, so thanks for the confirmation! Actually I have nothing against DD pickups, they can be very decent sounding. I preer companies spending on building better instruments with cheap pickups than the other way round.

    Originally posted by Crane View Post
    .
    The PRS SE Hollowbody II has great clarity and an ebony fretboard. I even picked up another set of 58/15 S pickups on reverb for future projects. The pickups and warm amp that I have go very well together.

    You don't have to love it too, I am only suggesting you try one out if you have the opportunity.

    What amp are you going to play out of?
    Actually a great idea, my luthier is an official PRS dealer so I might be lucky and have even a hands on test run (over here not many places stock up instruments in th 1k and above range). I looked over PRS beacuse they are too "polite" for my general taste and in this case looked a bit too modern. But I admit that the SE Hollowbody looks awesome, even the standard! A bit on the pricey side though... :/ Given the limited space I have now, I use a H&K Edition 1 ss combo (1x12) from the mid-90s, made in Germany and I believe that it has UK made Greenbacks. I think that it would actually fit this project more than my regular playing.

    Originally posted by alex1fly View Post

    One of the local luthiers here in Boulder gave a thumbs up on the Artcores, similar vibes.
    Originally posted by ICTGoober View Post


    I have a sweet AS73 loaded with Antiquities, and one of my nephews has one loaded with '59's.

    If you buy a new one, you'll want to change out the pickups and possibly the jack - but the guitar itself won't disappoint you once it gets a nice setup with your strings and tuning.
    This is great to hear as I frequently see AS Ibbys in local classifieds for basically peanuts (200-250 USD range in local currency). I passed on an AS53 for 160 USD last week...

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  • Benjy_26
    replied
    I own a Sheraton with TV Jones pickups and an Alleykat with a SM-1n in the neck. I end up playing jazzy gigs the most with a Epi LP loaded with Phat Cats and strung with D'addario flats.

    Leave a comment:


  • ICTGoober
    replied
    Godin and Eastman are better instruments than the D'Angelico when I was searching. I ended up with one of each.
    And we are STILL waiting to hear that Eastman almost 2 years after you bought it.

    I have a sweet AS73 loaded with Antiquities, and one of my nephews has one loaded with '59's. They were both purchased used for excellent prices, and are as nice as any Gibson (Gibson guys have told me after playing mine). Additionally, I can tell you it is as nice as my early 80's Ibanez Lee Ritenour was back in the day, and that was a premium axe when sold new.

    If you buy a new one, you'll want to change out the pickups and possibly the jack - but the guitar itself won't disappoint you once it gets a nice setup with your strings and tuning.

    Leave a comment:


  • PFDarkside
    replied
    Do you know who owns D’Angelico?

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  • alex1fly
    replied
    Melanie Faye makes 'em sing. Good enough for me!

    One of the local luthiers here in Boulder gave a thumbs up on the Artcores, similar vibes.

    Leave a comment:


  • Mincer
    replied
    Godin and Eastman are better instruments than the D'Angelico when I was searching. I ended up with one of each.

    Leave a comment:


  • Crane
    replied
    This is coming from someone who is NOT a PRS fan:
    I was looking for a guitar to play jazz and tested an Excel and Premier in a local shop. I played through a Fender Blues Junior and was not impressed. And I am partial to D'Angelico because my brother has a 'real' one (I think I posted a picture of it here many years ago, but no one seemed to know what it was or didn't care).

    My fiance was with me and I wanted to make the most of my time there, so I picked up a PRS SE Hollowbody II and tried it. I thought to myself, damn this sounds good but didn't say anything. My fiance looks at me and says damn that sounds good, you better buy it!

    And I am glad I did. I have an Epiphone Casino Coupe and an IYV which I attempt to play jazz on also, both have their advantages, however I can tell you that PRS sounds clear, and I'm playing through a '65 Princeton Reissue.
    The Casino Coupe sounds closest to a jazz box. I did put mini humbuckers in it, but it always had that acoustic sound to it.
    The IYV is my project guitar and is very easy to play, love the fretboard.
    The PRS SE Hollowbody II has great clarity and an ebony fretboard. I even picked up another set of 58/15 S pickups on reverb for future projects. The pickups and warm amp that I have go very well together.

    You don't have to love it too, I am only suggesting you try one out if you have the opportunity.

    What amp are you going to play out of?

    Leave a comment:

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