What exactly makes it so different, both playing and sounding.
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What makes a Telecaster a Telecaster?
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Of course, the type of pup used, it's a bit different than a Strat type single coil. But also how the pup is mounted to the bridge plate instead of a mounting ring or direct mount.Originally Posted by IanBallard
Rule of thumb... the more pot you have, the better your tone.
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IME "the attack, full note, the sustain" is the result of- pickup construction (metal baseplate on the bridge, metal cover on the neck)
- bridge construction (brass saddles on a metal baseplate, with strings anchored through the body)
- body construction (solid thick plank of wood, minimal routing, not contoured or missing any wood)
- neck construction (solid neck, bolted on, with a longer scale than Gibson types)
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I have a solid mahogany bodied guitar with maple neck, 24.75" scale and hardtail (with strat style individual string saddles). It's got two low output strat pickups in neck and mid and a tele bridge. I wired the 5 way so that you can get neck and bridge as well as bridge sounds.
Sounds exactly like any other twangy tele I've ever heard.
So I'm going to say that the pickups (particularly the bridge) matter the most, the fixed bridge itself matters a little bit, and the scale/woods used maybe just a tiny hint as far as sound goes.
As far as playing goes though - traditional teles suck donkey balls. Upper fret access isn't good, necks are often too narrow and have too small a radius, intonation with a traditional tele bridge is sketchy, they come with smaller frets, and there's no reason whatsoever to not contour the body other than laziness. Plus they look like crap. This makes sense as it was designed by a guy who couldn't play guitar to be cheap to produce - not an instrument that would be good to play.Join me in the fight against muscular atrophy!
Originally posted by Douglas AdamsThis planet has - or rather had - a problem, which was this: most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movements of small green pieces of paper, which is odd because on the whole it wasn't the small green pieces of paper that were unhappy.
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The pickup itself and the fact that it is mounted to the bridge is the major factor, IMO. I've played Tele's with half an ashtray bridge or a Strat hardtail and they don't have the same twang.
I have tried many times over the years to get a long with the Tele shape but it doesn't work. I like the idea of a Strat body, Tele bridge and controls, 24.75" scale, Esquire style. All the comfort I like in a Strat, the short scale I like on a Les Paul, and a sweet Tele bridge pickup.
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Depends on what you want it to be. Bridge, body, pickups, tone, saddles, whatever. I have 2 Teles - one with traditional bridge/single coils/humongous neck, one with Strat bridge/WRHBs/tiny neck. Both sound like Telecasters. The response is immediate unlike my Strat where there's a bit of squish.Originally posted by crusty philtrumAnyone who *sings* at me through their teeth deserves to have a bus drive through their face
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Well :/
It's gotta be hard to make it sound good. It should be stiff, like a plank; and the brigde pickup rather piercing.
hehe.
-EIf somethings important- send a PM. I might be offline for long periods. Rock on!!!
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I think it comes down to the pickups and the bridge. Teles without the traditional pickups and bridge don't sound like Teles. They sound like generic 'Fenders'.Administrator of the SDUGF
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Originally posted by Mincer View PostI think it comes down to the pickups and the bridge. Teles without the traditional pickups and bridge don't sound like Teles. They sound like generic 'Fenders'.
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Originally posted by Securb View PostI have a Super Distortion in my Tele it sounds nothing like a Fender.Join me in the fight against muscular atrophy!
Originally posted by Douglas AdamsThis planet has - or rather had - a problem, which was this: most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movements of small green pieces of paper, which is odd because on the whole it wasn't the small green pieces of paper that were unhappy.
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