Originally posted by alex1fly
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Lighter strings on a Les Paul?
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Originally posted by Securb View Post
This is very subjective. It all depends on the EQ, amp, pickups, and the guitarist's attack and style. Telling someone the correct string gauge and action height use is akin to telling someone how much salt and pepper they should put on their steak. We all have different tastes, and what feels good to one might feel horrible to others. For this reason, manufacturers produce different gauges and adjustable bridges. There is no correct answer.
“I was about 22 and just starting out with ZZ Top,” he says. “I was in the dressing room and BB said to me, ‘Can I play your guitar?’ I said, ‘Sure man.’ He strummed it a few times and handed it back to me. He looked at me rather quizzically and said, ‘Why you working so hard?’ I said, ‘What do you mean?’ He said, ‘Those strings. You got real heavy, heavy strings.’ I said, ‘Well, isn’t that how to get the heavy, heavy sound?’ He said, ‘No! Don’t be working so hard!’-
My Rolling Stones tribute band: The Main Street Exiles
At the battle of the bands, the loser is always the audience. -Demitri Martin
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^^ This.
I've been slowly and gradually going from fatter gauges to lighter ones for years now. I suppose it just feels better to me, and as time passes I develop a lighter touch, which in turn makes even lighter gauges more easy and comfortable to play.
I was very much of the opinion that heavy strings equal heavy tone, but in practice, as Powdered toast man quoted BB, it just made me work harder and I could play for shorter amounts of time before acute discomfort sets in.
Now I use 9-42 on a 25.5" tuned half a step down, and 9-42 on a 24.75" tuned standard (or even drop D).
I will soon get some 8.5 and 8 sets and give those a try.
I really like bending the b string two and a half steps with zero discomfort.
The biggest difference between Chet Atkins and Dimebag? Probably the beard...
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My #1 has 10's
My Ace Frehley's have 9's
My Studio has 10's (and on occasion 11's.
They all play amazing.
Originally posted by Bad City
He's got the crowd on his side and the blue jean lights in his eyes...
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Originally posted by Powdered Toast Man View Post
And then there's this story from Billy Gibbons meeting BB King.
I played a guy's L5, gorgeous guitar. He had it strung with flat-wound .13s with a super high action. Playing the guitar, I felt like my fingers were doing the tire drills at football camp. I couldn't get anything out of that freaking guitar and felt embarrassed playing it in front of him. The dude picked it up and was all over the neck like he was skating on ice. I would imagine if he picked up my Les Paul, he would be just as uncomfortable as I was with his ax.
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Originally posted by Securb View PostI would imagine if he picked up my Les Paul, he would be just as uncomfortable as I was with his ax.
It's all personal and a question of what you're used to and what suits you.
But flat 13s? I understand a lot of oldschool jazz players with vintage archtops use thick flats, but to me that would seem like playing on a tow truck cable.
The biggest difference between Chet Atkins and Dimebag? Probably the beard...
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Originally posted by eclecticsynergy View Post
Did you tune it to F, or were you coming back up from E♭? I don;t think I've never tried tuning a guitar higher than concert pitch.Originally posted by crusty philtrumAnyone who *sings* at me through their teeth deserves to have a bus drive through their face
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Originally posted by DCikes88 View PostBut flat 13s? I understand a lot of oldschool jazz players with vintage archtops use thick flats, but to me that would seem like playing on a tow truck cable.
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For E standard tuning I like .11s on Gibson scale stuff myself . . . but it's really all about personal preference. The .11s don't necessarily sound the best to me, but they are what make my fingers happy as far as control goes.Join me in the fight against muscular atrophy!
Originally posted by Douglas AdamsThis planet has - or rather had - a problem, which was this: most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movements of small green pieces of paper, which is odd because on the whole it wasn't the small green pieces of paper that were unhappy.
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Usually 0.011” for both my 25.5” and 24.75” guitars. But when i rehearse and practice too much, the strings fight back too much and I get sore finger tips. When that happens, I fall back to 0.010”. After a while my fingers feel better again and I wind up some elevens again :-)
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