Re: Name 10 MUST have pedals
TC Electronic Polytune
TC Electronic Flashback
Visual Sound Ts808
BBE Ben Wah
Boss NS-2
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Name 10 MUST have pedals
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Re: Name 10 MUST have pedals
zvex inventobox!
put 3 pedalz in one box:
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Re: Name 10 MUST have pedals
The Zvex SHO is the only pedal I would never part with. Everything else isn't a must for me.
Maybe a TS variation would be a must but the only one I really consider a must for me is the SHO.
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Re: Name 10 MUST have pedals
It obviously depends of the type of material you're doing, but a lot depends on the amp, too. So, here's my ten for my Mesa Mark IV and Mark V amps, and my Furman SPB-1 Pedal Board.
First pedal in my chain is an old DOD FX10 PREAMP that is almost always on to provide a slight boost. Since those aren't around any more, I'll go with a BBE Boosta Grande. The clean boost of the DOD has been the big secret of my tone for more than 30 years. Got to have a boost pedal, and there are several good ones out there.
Next pedal is a COMPRESSOR. Mine is a Boss CS-3. Since it's already bought and paid for and does the job, I'll use it, but others like Wampler and the Keeley have great reps--these along with several others might be a worthwhile upgrade.
My TUNER is a Boss TU-3. It's fine for a live pedal board, but the Sonic Research Turbo or the Peterson Strobo-Stomp might be better for setting intonation on my guitars.
I bought my old Thomas Organ Crybaby WAH used in 1972. It's a beat-up, dinged up, filthy dirty, noisy, raspy, nasty, tone-killing brick and still sounds wonderful. If I needed something new, I'd probably use the backup Crybaby Classic I have in a drawer; but the Hendrix, Wylde and Bonamassa Crybabys would get a SERIOUS look.
I'm not a huge DELAY guy, but I want something organic; I think it would be hard to go wrong with an MXR Carbon copy for my analog unit. I love my Rocktron Short-Timer, but I'm discovering it is too big. A DD-3 is another favorite; but I could have essentially four more delays on my board with with a Boss DD-20 and it's presets. I don't have mine on my board yet, but I've been playing with it for a few years now, and I'm impressed with the power it has. The long delays available in the DD-20 aren't a big necessity for me, but it is a great pedal. Because of its size though, perhaps a DD-3, -5, -6, -7 would actually be more practical to use with the Carbon Copy. So two delays, a Carbon Copy and a Digital Delay (TBD) it is.
I used a DOD FX Series CHORUS for years and replaced it with a Boss CE-3 about four years ago. They sound very different; both are very good, but I keep thinking I should go back to the DOD. Maybe not. I recently bought a new Digitech Hardwire Stereo Chorus for cheap on a closeout deal, and I have to check it out. If the Hardwire could evoke both the DOD AND the Boss, I'd have a winner. Got to have a Chorus.
I don't have one on my amp or on my board, but a TREMOLO pedal would be nice. I recently acquired a BBE Tremor in a contest; haven't tried it yet, but it should do what I need without getting too crazy.
I used to have an old Musitronics PHASOR. It went bad on me, but that one had a really nice tone and did a good job emulating a Leslie speaker. I replaced it with a Boss PH-1r, and I think that the PH-1r is the best of the Boss phasors, though it doesn't spin fast enough to do the Leslie thing. The MXR EVH Phase 90 is a really tempting classic Phasor, though. If I could only have one, I'll stick with what I know, the PH-1r, but I might add a EVH 90 if I had room. Perhaps there's something else out there that will do both the MXR and Boss flavors?
That's eight, leaves me two slots. Now you'd think that with a Mark IV or V, I wouldn't need another OVERDRIVE/DISTORTION, but what I really need is a Marshall-In-A-Box. Not sure what to do here; I'm still investigating. Some candidates would be the one of the two Carl Martin Plexitones (big or little); Radial Hot British or Plexi-tube; Wampler Plextortion or Plexi-drive; Rothwell Hellbender; Zvex Box Of Rock; MI Audio Crunchbox; Tech 21 British, Leeds or Oxford; etc., etc., etc. I don't need high gain--I've got all the gain I need in the Mesa amps. What I want is that slightly over-driven crunch, ala Malcom Young, or Paul Kosoff's rhythm line in "All Right Now". It's a tonal re-shaping--almost more "feel" than tone. It's elusive, but it is something I've been wanting for a while to compliment my Mesa amps. Pick ONE.
With one slot left, I'm going to have to make some tough choices.
A favorite tone on my Mark V is the CLEAN Channel's Tweed mode. Definitely talking Billy Gibbons' "Tush" tone here, and I love it. Perhaps a Wampler Tweed '57 pedal? That could be interesting....perhaps its moderate OD settings can get me closer to the MIB tone I want than the pedals listed above. Got to check that one out.
Another possibility would be a FUZZ. Now, the Mesa's have great singing lead tones as they are, but I sometimes think that I'd like to have some old school buzz and grind. Think "Satisfaction", "In-A Gadda-Da-Vida" or The Doors "Hello, I Love You": I'm talking nasty, nasty, nasty....and it's so right on some songs. Not about the gain so much as the tone--I have gain, but not buzz. And I have no idea which brand of FUZZ I should get. ????
I'm a big Robin Trower fan, so perhaps a UNI-VIBE belongs on my board. I have a BBE Soul-Vibe. It's good, but slightly large, so perhaps the new MXR Uni-Vibe would be a better choice. Or, perhaps the Boss Rotary emulator would be even more versatile. Choices, choices...
The Mark V's REVERB is very good; the Mark IV's is adequate. But, if I were playing one of my Mark III's, I might want an additional reverb pedal because the reverb on these is iffy. There are lots of reverb pedals out there from Boss, Line 6 Verbzilla, Hardwire and the Supernatural, EHX Holy Grails, et.al. Requires investigation. I do have an old Peavey SRP-16 in a drawer around here if I need it. It's a good digital reverb--virtually unknown and built like a tank.
In a different situation, I might want a GRAPHIC EQ. I have a couple of the old blue MXR 10-Band EQs that saved my bacon hundreds of times back in the day. I also have a newer MXR 10-band pedal that I use for my acoustic guitar pedalboard. Certainly the Boss GE-7s have proven useful, and the new Mesa 5-band pedals appear to be winners.
I have a Boss PS-6 PITCH SHIFTER/HARMONIST on my board that I use for harmony leads on just two songs. Invaluable for that, but I probably could get by without it if I had to. Perhaps if I dumped the Boss DD-20....?
I've never owned a FLANGER, but I love the way Steve Miller used them on some of his songs. If I need one, I'll hunt down an older Boss unit. Nor have I ever needed an OCTAVER for octave down effects. I think my Pitch Shifter can do that, if I need it; I'd probably get a Boss if it doesn't...if I needed one.
Since I also play acoustic, I have one pedal that I consider essential, and this one shouldn't count against my electric pedal board. It is the Fishman Aura DI. I haven't played around much with mine, but it is amazing. Make that AMAZING!!!! It's a "don't leave home without it" pedal for any open mic situation. I looked at the BBE Acousti-Max and the Radial PZ-Pre, but I'm glad I got the AURA with its large array of images, built-in tuner, compression and feedback killer.
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The one glaring omission is a Tube Screamer. I've never owned one; I don't like the way they mess up the sequence of attack, distortion, compression, release and decay, compared to a real tube amp. For some folks, a Tube Screamer or clone is an essential pedal, but I have no use for one in my rig.
I also have a brand new BBE Sonic Stomp that I have never taken out of the box. I know people who think these are the best thing since sliced bread, but I just don't think I need it with my Mesa amps.
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So unlike some of the other posters, I could see having 15-16 pedals on my board. There are some pedals in the market that combine some functions, so perhaps with investigation, I could winnow down a few. My overall philosophy with pedals is to have a lot of different ones, but to use them very sparingly. Most of my pedals, I only use 4-5 times a night--in my current band I play with clean rhythms and a lot of clean solos too, so a different band situation might require some different pedal choices.
Great question, because this has got me to thinking that I need to get out some of these pedals I have in a drawer and start experimenting!!!
Bill
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Re: Name 10 MUST have pedals
- Crybaby
- Big Muff Pi
- Deluxe Memory Man
- Phase 90
- Overdrive/Preamp 250
Those are all I can think of. I used to have them all, but unfortunately I sold the Memory Man in a time of financial need.
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Re: Name 10 MUST have pedals
I dislike the mod stuff usually but I like the univibe. Its more tastefully done I guess.
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Re: Name 10 MUST have pedals
Originally posted by Aceman View PostI find Univibe (of any sort_ an interesting choice. Why does this make the list. I have lived my entire life without one.
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Guest repliedRe: Name 10 MUST have pedals
No DOD American Metal = Invalid thread.
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Re: Name 10 MUST have pedals
Originally posted by Aceman View PostI find Univibe (of any sort_ an interesting choice. Why does this make the list. I have lived my entire life without one.
You're mileage may vary and all that jazz.
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Re: Name 10 MUST have pedals
I find Univibe (of any sort_ an interesting choice. Why does this make the list. I have lived my entire life without one.
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Re: Name 10 MUST have pedals
A wah pedal and a treble booster/OD of some sort. Maybe a generic chorus.
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Re: Name 10 MUST have pedals
Big Muff or Fuzz Face depending on mood
Univibe of some sort or phaser depending on mood
Delay
Reverb (usually better from the amp)
Wah
With those pedals I can do just about anything. Usually other stuff doesn't end up being used too much.
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Re: Name 10 MUST have pedals
Originally posted by aleclee View PostSince turning to the digital side, I don't actually use pedals anymore. Even so, I did hold on to a few keepers just in case.- Hermida Zendrive
- Menatone Workingman's Blue
- Sniper Modded Boss GE-7
i've owned a buttload of pedals over the years but those were the only ones that really stood out for me. Of those, the EQ is probably the only thing that might have anything resembling universal appeal.
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