Originally posted by formula73
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Stacking Klones
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Originally posted by Lewguitar View Post
I don't know about that. But I will say that Eddie Van Halen never used a distortion pedal. Let alone needed to stack them. But go ahead and buzz if you want to. I sure don't GAF.Last edited by formula73; 11-21-2020, 09:12 PM.
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Originally posted by Lewguitar View Post
I don't know about that. But I will say that Eddie Van Halen never used a distortion pedal. Let alone needed to stack them. But go ahead and buzz if you want to. I sure don't GAF.Originally posted by Bad City
He's got the crowd on his side and the blue jean lights in his eyes...
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Originally posted by Lewguitar View PostIs this stacking overdrives an internet bedroom player thing only? Or are there actually well known pros doing it as well?
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its zz top, everything is about presentation on stage. theres a rig rundown that covers his setup. it sure aint a traditional blues setup but it doesnt have six expandoras. even if he had this as his "rig" im sure it was for show and marketing
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Originally posted by jeremy View Postits zz top, everything is about presentation on stage. theres a rig rundown that covers his setup. it sure aint a traditional blues setup but it doesnt have six expandoras. even if he had this as his "rig" im sure it was for show and marketingAdministrator of the SDUGF
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Originally posted by jeremy View Postits zz top, everything is about presentation on stage. theres a rig rundown that covers his setup. it sure aint a traditional blues setup but it doesnt have six expandoras. even if he had this as his "rig" im sure it was for show and marketing
“Practice cures most tone issues” - John Suhr
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I've had fun doing it. But I've never NEEDED to do it. It was just for fun.
My first overdrive device was a Wollensak tape recorder.
There were no fuzz pedals or overdrive pedals available yet.
I plugged my guitar into the microphone input of my mom's Wollensak tape recorder (it had a PA setting) and then plugged one end of a guitar cord into the external speaker output and the other end into my Supro amplifier.
It made for a cool fuzz tone before the Maestro Fuzztone had shown up in music stores.
This would have been in the early 60's.
There was a Ventures tune called the 2000 Pound Bee that I liked.
They must have done something similar to get that sound.
“Practice cures most tone issues” - John Suhr
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David Gilmour was pretty well known for stacking gain pedals. A lot of his fuzz sounds are a big muff into a just slightly gainy powerbooster or tube driver. I'm not sure if he does it to combine the character of the two pedals, to add mids, to cut some of the wilder highs/lows . . . but he definitely does it.Join me in the fight against muscular atrophy!
Originally posted by Douglas AdamsThis planet has - or rather had - a problem, which was this: most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movements of small green pieces of paper, which is odd because on the whole it wasn't the small green pieces of paper that were unhappy.
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Originally posted by Lewguitar View PostI've had fun doing it. But I've never NEEDED to do it. It was just for fun.
My first overdrive device was a Wollensak tape recorder.
There were no fuzz pedals or overdrive pedals available yet.
I plugged my guitar into the microphone input of my mom's Wollensak tape recorder (it had a PA setting) and then plugged one end of a guitar cord into the external speaker output and the other end into my Supro amplifier.
It made for a cool fuzz tone before the Maestro Fuzztone had shown up in music stores.
This would have been in the early 60's.
There was a Ventures tune called the 2000 Pound Bee that I liked.
They must have done something similar to get that sound.
Administrator of the SDUGF
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Originally posted by GuitarStv View PostDavid Gilmour was pretty well known for stacking gain pedals. A lot of his fuzz sounds are a big muff into a just slightly gainy powerbooster or tube driver. I'm not sure if he does it to combine the character of the two pedals, to add mids, to cut some of the wilder highs/lows . . . but he definitely does it.
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Originally posted by Securb View Post
Typically you are going to get more of the character of the second pedal. It really depends on how you are dialing them in. The big thing so people are missing is the gain in both pedals can be set very subtly. The goal is not always to get face-melting tones.
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Have never had much luck or need to stack pedals. I believe if the amp can't get me there or 90% there then I am on the wrong amp. In my experience, the more pedals you add the more potential problems you open yourself up to and the more noise you introduce. All these "problems" of course are fixable but why even go there?The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side.
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I'm surprised I didn't remember Eric Johnson! He stacks a Butler Tube Driver and Fuzz Face to get his signature violin tone. I use a Dover Drive to get a very similar tone and Eric hand a hand in the design of that pedal. At about 1:15 you can hear the violin tone.
And the violin tone is all through this old video. Stacked Tube Driver and Fuzz face. Kicks in at about the 1:00 mark. My Dover Drive gets real close to this tone without having to stack a Tube Driver and Fuzz face. Eric even uses a Dover Drive on his small, simple pedal board that he uses for clinics.
Last edited by Lewguitar; 11-23-2020, 07:57 AM.“Practice cures most tone issues” - John Suhr
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