Tweet
New preamp pedal day! (Not actually new today, or new at all--it's used--but we'll just pretend.)
It's a Revv G4 preamp. And it is a weapon of mass destruction. For anyone unaware of its existence, it's a modern, very high-gain preamp with three modes and a ton of tweakability. But make no mistake. This is a preamp, not just a distortion pedal. Running into the front of the amp is disappointing at best. It really needs to take over the duties of the amplifier's preamp section to sound like I believe it should. Going into the front end, it's dull and underwhelming. Running into the effects return, it's a fire-breathing monster.
All that being said, I can't overstate its clarity and note definition. It has this interesting presence in the bass--and it has all the bass I could ever want--where any residual resonance happening with your low E string will be heard. I think it will end up making me a better player because of it. It's not flubby or obnoxious; it's just amplifying what the instrument is giving it in a way I don't think I've experienced before. All in all, I think the knobs make exactly the changes they're supposed to change independent of each other. I needed to cut mids just a bit yesterday, and when I did, I just noticed that the highs were able to shine through a little more and the bass presence was as I just described.
I had some trepidation about bypassing my beloved preamp tubes in favor of a transistorized box, but it responds just the same way. There's a ton of dynamics in here, and rolling back the volume cleans up extremely well. I had already gotten over my mental block telling me that getting my gain from pedals is bad, but I had never gone direct to the effects return before. The only problem is switching back to the going-into-frontend setup for cleans and the older-school boosted-Plexi tones I had been playing with recently, but I solved that with a Saturnworks looper. (Thanks, Steve!) Boosted Plexi is not what the G4 is supposed to do. I think it could do it with a lot of tweaking, but then my hands wouldn't spontaneously break into Megadeth and Pantera riffs. I can't imagine anything musical happening if I were to be unsatisfied with the level of gain this pedal can provide.
I guess I should write a brief note on my impressions of the Aggression switch also. I don't know that I agree on the naming. In its middle position, you get what you get, and that's a modern, high-gain distortion with plenty of gain and tweakability. In the blue mode, it both fattens up and tightens up, and it adds a bit of a boost on top of what it gives in the middle. With red, there's a definite increase in gain, but it gets a little fizzier and looser-feeling, with maybe a bit of a shift into the upper mids.
I'm surprised I haven't seen Revv discussed on this board, because I think this is going to be a game-changer for me.
It's a Revv G4 preamp. And it is a weapon of mass destruction. For anyone unaware of its existence, it's a modern, very high-gain preamp with three modes and a ton of tweakability. But make no mistake. This is a preamp, not just a distortion pedal. Running into the front of the amp is disappointing at best. It really needs to take over the duties of the amplifier's preamp section to sound like I believe it should. Going into the front end, it's dull and underwhelming. Running into the effects return, it's a fire-breathing monster.
All that being said, I can't overstate its clarity and note definition. It has this interesting presence in the bass--and it has all the bass I could ever want--where any residual resonance happening with your low E string will be heard. I think it will end up making me a better player because of it. It's not flubby or obnoxious; it's just amplifying what the instrument is giving it in a way I don't think I've experienced before. All in all, I think the knobs make exactly the changes they're supposed to change independent of each other. I needed to cut mids just a bit yesterday, and when I did, I just noticed that the highs were able to shine through a little more and the bass presence was as I just described.
I had some trepidation about bypassing my beloved preamp tubes in favor of a transistorized box, but it responds just the same way. There's a ton of dynamics in here, and rolling back the volume cleans up extremely well. I had already gotten over my mental block telling me that getting my gain from pedals is bad, but I had never gone direct to the effects return before. The only problem is switching back to the going-into-frontend setup for cleans and the older-school boosted-Plexi tones I had been playing with recently, but I solved that with a Saturnworks looper. (Thanks, Steve!) Boosted Plexi is not what the G4 is supposed to do. I think it could do it with a lot of tweaking, but then my hands wouldn't spontaneously break into Megadeth and Pantera riffs. I can't imagine anything musical happening if I were to be unsatisfied with the level of gain this pedal can provide.
I guess I should write a brief note on my impressions of the Aggression switch also. I don't know that I agree on the naming. In its middle position, you get what you get, and that's a modern, high-gain distortion with plenty of gain and tweakability. In the blue mode, it both fattens up and tightens up, and it adds a bit of a boost on top of what it gives in the middle. With red, there's a definite increase in gain, but it gets a little fizzier and looser-feeling, with maybe a bit of a shift into the upper mids.
I'm surprised I haven't seen Revv discussed on this board, because I think this is going to be a game-changer for me.
Attached Files
Comment