Originally posted by Chistopher
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Going down the mega-distortion rabbit hole...
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Originally posted by El Dunco View Post
That’s just a sidebar I thought people might find useful or interesting. I wouldn’t claim to know what you want better than you. I don’t necessarily think less gain is automatically better anyway. You can have too little for what you’re trying to do just as easily.
The TT is a good example. There’s a few reasons the Classic isn’t right for what you want, too little gain is probably most of them while the Mayhem is too whatever the Mayhem is meant to be. Fuzzy, sputtery, brittle? It would probably be amazing for doom metal bands.Originally posted by Bad City
He's got the crowd on his side and the blue jean lights in his eyes...
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Well, I got my MD-2 in yesterday and so far, I really like it. It's like a beefier DS-1 with more chug. The 2-stage distortion/gain boost thing is pretty interesting. I don't think I've ever seen that on a pedal before. Boss has some clever people for sure.
I tried running it into an IR loader to see if it does the preamp thing, but it does not. Not nearly enough output for that. I had to a put a separate preamp in between to get it to sound right. I tried running the MD-2 into a JHS Clover preamp, then into the IR loader, and it sounded great that way.
Overall, a fine addition to my collection.
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Originally posted by ErikH View PostHave you looked at the MXR 5150 Overdrive? It may say overdrive on it but it can chug with the best of them. There's a serious level of gain on tap. Plus BMT tone stack and a noise gate.Originally posted by Bad City
He's got the crowd on his side and the blue jean lights in his eyes...
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Originally posted by Aceman View Post
Almost put it on the original list. I do love 5150 tones...I guess I consider a preamp model in a box.
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Originally posted by Securb View PostIn my experience, trying to get a lot of gain from one source often leads to a fizzy sound. Gain staging, however, tightens and compresses the signal while keeping it wide and full, avoiding those over-compressed, thin guitar tones reminiscent of the '80s.
FWIW same principle applies to compression as well. Two 4:1 compressors in series sounds way more transparent and natural than one 8:1 slamming compressor where you hear the one box working.
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I plugged in the BOSS Mega Distortion yesterday. It is a bit grainier than I remember but in a good way. Lot of EQ on tap and plenty of room for gain. Trying to find a new flavor for the next recording session I am getting ready to play around with my CAE today
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Originally posted by Securb View Post
It is fixed post-overdrive, which is how I typically use a boost and dirt stomp.Originally posted by Bad City
He's got the crowd on his side and the blue jean lights in his eyes...
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I think you could do far worse than this. While it is primarily designed for use with power amps or into an FX return it sounds fantastic into the front end a high headroom clean amp too.
The Soldano SLO Pedal is likewise an amazing option with great tone.
Last edited by Hiwatts and Gibsons; 07-17-2024, 12:21 PM.
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Originally posted by Securb View Post
In my experience, trying to get a lot of gain from one source often leads to a fizzy sound. Gain staging, however, tightens and compresses the signal while keeping it wide and full, avoiding those over-compressed, thin guitar tones reminiscent of the '80s.
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