Were Randy Rhoads on the Dairy Of A Madman album effects post?

[JMP/HBE]

I seen Randy with QR back in the day.
Seen him 5+ times with Ozzy.
I love the way Max Norman mixed both B.O.Z. & D.O.A.M.M.
But Max didn't capture Rhoads's tone too well on the first one, some tracks sounded like the guitar was stuck on a Wah Wah pedal.
Second outing was an improvement over the first.
Live , Rhoads's guitar tone was huge, probably mixed think Flanging with Chourus.

It was 43 years ago.
What you expect ?
The cocked wah was intentional by Rhoads. Thats a thing.

https://scontent-ord5-2.xx.fbcdn.net/v/t1.18169-9/10801612_10152825404586063_6121785458012644192_n.jpg?_nc_cat=110&ccb=1-7&_nc_sid=0327a3&_nc_ohc=MvPU3w-FSYMQ7kNvgH2Wwq4&_nc_ht=scontent-ord5-2.xx&oh=00_AYCgzThR4BOOI8x2_wnS4M7nwGO-hTjJ5pRL9w8pfN-etQ&oe=66F1E464

[Securb]

How hard is it to use an echoplex LOL.
Set & forget.

He used it mainly for his guitar solo and had the roadie changing delay setting during the solo.

[omni 1]

I remember picking up the album the day it came out. I had not listened in years to it and put it on and started thinking about it. I remember High and Dry came out the same day. Great times! I was lucky enough to grab em both!

[Mincer]

How hard is it to use an echoplex LOL.
Set & forget.

Tommy Bolin had his attached to his mic stand so he could constantly manipulate it.

[JMP/HBE]

Im the age where i can remember when there were only [5] FX pedals for guitar. Now there are 7.7 billion and only 1/3rd worth a sh*t.
Not all pedals are created equal.

[Chistopher]

and of the 1/3rd, 1/2 of them are priced way to high and 1/2 of those have very narrow use cases.

[idsnowdog]

I remember Guitar World had a article when the Tribute album came out and the producer said they used an early Korg digital delay through the board on a few tracks for Diary Of A Madman.

[donaldr]

I was in recording from late '80s and pedals were never used except overdrive/distortion/fuzz or for a "one of a kind" sound (and most of those "one of a kind" sounds were derived from studio rack gear to start with). I bet it's still the case and I will never use pedals myself for recording. Rack gear is mostly replaced by plugins since the last decade.

[Securb]

I was in recording from late '80s and pedals were never used except overdrive/distortion/fuzz or for a "one of a kind" sound (and most of those "one of a kind" sounds were derived from studio rack gear to start with). I bet it's still the case and I will never use pedals myself for recording. Rack gear is mostly replaced by plugins since the last decade.

When I recorded in the '80s the engineer was pissy I wanted to use my MXR Micro Flange. He said it would be too dramatic of a change in the mix and wanted to add the flanger in post. He was right. It was a dramatic shift, which we wanted on the recording. Glad I didn't listen to him. The recording we just did the engineer didn't even question my signal chain. He did capture a dry signal of my guitar pre-pedalboard in case I wanted to reamp or add effects later. It was not needed.

[omni 1]

Im the age where i can remember when there were only [5] FX pedals for guitar. Now there are 7.7 billion and only 1/3rd worth a sh*t.
Not all pedals are created equal.

FACTS!

[Sirion]

Those albums were in the late 70s/early 80s and recorded to tape, they didn't even have computers in the studio then, the computers that existed then would have been usesless for audio work. I'm 99% sure he used his pedalboard, they may have run the guitar though a plate reverb and some offboard compression, but they didn't do reamping back then. I doubt he could have gotten the same feel recording dry tracks into the board.

This reminds me of a story I have heard. When the Quiet Riot albums with Randy (or some of the tracks, at least) were reissued in the early 90s, they supposedly ran the guitar tracks through Carlos Cavazo's guitar rig to add more distortion to the tracks. Stranger things have happened, but it sounds like an extreme solution still. Did it really happen like that? (I have never heard the original LP versions, so I don't know what those sound like.)

[JMP/HBE]

.

[devastone]

This reminds me of a story I have heard. When the Quiet Riot albums with Randy (or some of the tracks, at least) were reissued in the early 90s, they supposedly ran the guitar tracks through Carlos Cavazo's guitar rig to add more distortion to the tracks. Stranger things have happened, but it sounds like an extreme solution still. Did it really happen like that? (I have never heard the original LP versions, so I don't know what those sound like.)

Interesting, but I doubt they have "clean" un-effected tracks to do that with.

[maug2122]

I remember Guitar World had a article when the Tribute album came out and the producer said they used an early Korg digital delay through the board on a few tracks for Diary Of A Madman.

The delay was set at 480 ms with a minimum of 9% feedback.

[Securb]

I remember Guitar World had a article when the Tribute album came out and the producer said they used an early Korg digital delay through the board on a few tracks for Diary Of A Madman.

That is Interesting. I know on the first album they used an AMS DMX 15-80 to get some flanger and chorus effects in post.