This an update of a previous post. I had a set of 59's in my LP and found the neck too muddy and that the bridge lacked oomph for leads, although it was great for rhythm. Based on good advice from fellow Forum members, I went to the Jazz/JB combo and am satisfied (at least for now, you know how it goes).
In the LP, the Jazz is a great improvement over the 59: it is perfect for rhythm, doesn't mush up and it stays nice and clean (think of tone on "Are you gonna be my girl", it nails it). The Jazz will also be great for blues, as the leads really sing (mind you the '59 was also good at this, but not as clean). As for the bridge, the JB gives me more than enough meat for leads and the rhythm tone (volume rolled back) is very decent. The notes really do ring out when chording (harmonics?), and although this somewhat takes away from note to note definition, the sound really is cool, perfect for rock à la Skynyrd and I think it’s good to have contrast between bridge and neck anyway. As far as using the two pick ups together, I now understand what all the fuss is about: it is a really amazing sound and one I will be experimenting with a lot more - perfect match tonally in my LP.
The story's not over though folks. I want to get the most out of my pups, so I'm going to get them wired to have the option of running each in parallel or with a coil split. From what I've read, I can do both but that split and parallel sound the same - can anyone enlighten me on this?
In the LP, the Jazz is a great improvement over the 59: it is perfect for rhythm, doesn't mush up and it stays nice and clean (think of tone on "Are you gonna be my girl", it nails it). The Jazz will also be great for blues, as the leads really sing (mind you the '59 was also good at this, but not as clean). As for the bridge, the JB gives me more than enough meat for leads and the rhythm tone (volume rolled back) is very decent. The notes really do ring out when chording (harmonics?), and although this somewhat takes away from note to note definition, the sound really is cool, perfect for rock à la Skynyrd and I think it’s good to have contrast between bridge and neck anyway. As far as using the two pick ups together, I now understand what all the fuss is about: it is a really amazing sound and one I will be experimenting with a lot more - perfect match tonally in my LP.
The story's not over though folks. I want to get the most out of my pups, so I'm going to get them wired to have the option of running each in parallel or with a coil split. From what I've read, I can do both but that split and parallel sound the same - can anyone enlighten me on this?
Comment