Re: Ibanez HH 5 Way Switch With Duncans
I admire your enthusiasm, the photos turned out great. Nice and large compared to these really static tiny images of a wiring i was looking for a few weeks back where half of it was theory, half was common sense to confirm what I was looking at would work.
With big puddles of solder on the backs of the pots as long as they aren't a cold solder joint I wouldn't worry about it. If I was to sell a guitar wiring and used parts in previous projects sure I'll clean it off but if it's for myself especially one of my weirder wiring concepts I don't want to mess parts up sure. The work on the switch looks great honestly and how well you soldered in the capacitor and the contacts on the switch and pots you've done a lot better than most people who come in for repairs when I used to do that for extra cash.
The big tips I tell guys is to continuously poke the iron tip through a brass sponge. I started this habit with my Hakko 888D soldering iron which cost me over 100$ to buy locally but was very worth it. The other is to always apply solder to the end of the wires, a twist and from time to time the tip of the iron. Your technique is good around the contacts of the pots so you're good to go. These are the brass sponges you get on ebay for under 1$ each and I'm still on my original iron tip. I've probably wired up 50-100 projects with this last year.
Lets get to the wiring
Your switch looks good with where the wires are going. I even compared it to my actual diagram. At first I was thinking it was a stock ibanez switch they sent you which would be problematic. Just to be sure as Ibanez guitars aren't my specialty so I googled the model number just for 100% reassurance and the 2502N is the 3PS1SC5 so that is correct so we're off to a good start.
Now the first issue I see. I can see you're going for the 1950s wiring. No doubt about it and I would have done the exact same putting 50s wiring in as I bought a ton of tubular capacitors similar to those. However the way you've got it is technically wrong.
Also with your guitar is there a string ground of any sort? Traditionally with that type of bridge the wire is fed through the bottom and a big exposed portion of the wire is under the bridge.
Another case of touching the guitar and hearing buzzing that goes away
another place you can get string grounding noise which i suspect this is, is if the input jack wires are in reverse
to do 1950s wiring properly I found this article. Dirk Wacker has tons of great articles on premier guitar about modifying guitars. It's been just under 15 years of tone chasing for me so far and I'm still finding things to try or learning better ways to do stuff. This is the way his article says is the best way to do 1950s style wiring for the tone control.
this is the fixes I'd do to the wiring. Cool capacitor by the way. My dumb way of remembering the input jack connections is SG like a Gibson. SG...Sleeve ground. Or spot the metal at the base of the input jack. No metal at the base of the contact it's hot lead. No cool catchy thing there.
I admire your enthusiasm, the photos turned out great. Nice and large compared to these really static tiny images of a wiring i was looking for a few weeks back where half of it was theory, half was common sense to confirm what I was looking at would work.
With big puddles of solder on the backs of the pots as long as they aren't a cold solder joint I wouldn't worry about it. If I was to sell a guitar wiring and used parts in previous projects sure I'll clean it off but if it's for myself especially one of my weirder wiring concepts I don't want to mess parts up sure. The work on the switch looks great honestly and how well you soldered in the capacitor and the contacts on the switch and pots you've done a lot better than most people who come in for repairs when I used to do that for extra cash.
The big tips I tell guys is to continuously poke the iron tip through a brass sponge. I started this habit with my Hakko 888D soldering iron which cost me over 100$ to buy locally but was very worth it. The other is to always apply solder to the end of the wires, a twist and from time to time the tip of the iron. Your technique is good around the contacts of the pots so you're good to go. These are the brass sponges you get on ebay for under 1$ each and I'm still on my original iron tip. I've probably wired up 50-100 projects with this last year.
Lets get to the wiring
Your switch looks good with where the wires are going. I even compared it to my actual diagram. At first I was thinking it was a stock ibanez switch they sent you which would be problematic. Just to be sure as Ibanez guitars aren't my specialty so I googled the model number just for 100% reassurance and the 2502N is the 3PS1SC5 so that is correct so we're off to a good start.
Now the first issue I see. I can see you're going for the 1950s wiring. No doubt about it and I would have done the exact same putting 50s wiring in as I bought a ton of tubular capacitors similar to those. However the way you've got it is technically wrong.
Also with your guitar is there a string ground of any sort? Traditionally with that type of bridge the wire is fed through the bottom and a big exposed portion of the wire is under the bridge.
Another case of touching the guitar and hearing buzzing that goes away
another place you can get string grounding noise which i suspect this is, is if the input jack wires are in reverse
to do 1950s wiring properly I found this article. Dirk Wacker has tons of great articles on premier guitar about modifying guitars. It's been just under 15 years of tone chasing for me so far and I'm still finding things to try or learning better ways to do stuff. This is the way his article says is the best way to do 1950s style wiring for the tone control.
this is the fixes I'd do to the wiring. Cool capacitor by the way. My dumb way of remembering the input jack connections is SG like a Gibson. SG...Sleeve ground. Or spot the metal at the base of the input jack. No metal at the base of the contact it's hot lead. No cool catchy thing there.
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