I'm a new poster but I've really enjoyed learning from this incredible forum over the last few weeks!
I'm scheming up an HSH Super Strat to use mostly for home recording. My goal is to build a versatile guitar that still has the ability to sound like a Strat, no matter how many switches you have to flip. I'm particularly interested in experimenting with out of phase configurations.
I have ordered a new Player Strat Floyd Rose HSS to use as the base. I'll replace the pickguard and everything on/in it with:
Thanks!
I'm scheming up an HSH Super Strat to use mostly for home recording. My goal is to build a versatile guitar that still has the ability to sound like a Strat, no matter how many switches you have to flip. I'm particularly interested in experimenting with out of phase configurations.
I have ordered a new Player Strat Floyd Rose HSS to use as the base. I'll replace the pickguard and everything on/in it with:
- SD P-Rails set with Triple Shots in bridge and neck
- SD Duckbucker (wired in parallel) in mid
- A no-load blend pot with push-pull neck phase reverse
- A push-push blower/passing lane control on the tone pot
- A kill switch on the volume pot
- A standard Fender 5-way switch:
- bridge TS + neck blend
- bridge TS + mid + neck blend
- mid
- neck TS + mid + bridge blend
- neck TS + bridge blend
- How does this diagram look, particularly with regard to the Duckbucker wiring?
- Should I get a RWRP Duckbucker? Does that even make sense for a single coil sized humbucker wired in parallel?
- I'm interested in how the Duckbucker will interact with the rail and/or P-90 in the neck (position 4). Do I have the polarity wired up in the best way possible for this combo?
- Would a different middle pickup sound better with the P-Rails?
- Is it worth adding a resistor to the middle pickup circuit to better balance with the P-Rails?
- Any other ideas? I'm open to anything.
Thanks!
Comment