I was just going through some of my archives, and found this Ibanez wiring diagram. An HB101n is a 59n, and the HB103b is the Distortion bridge. I'm not sure I've ever seen anyone talk about this combo before. Sounds interesting. Anyone have one of the Ibby's listed at the bottom? I wonder how this combo plays together?
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59n with Distortion bridge.
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That's a cool idea. I think there is a Schaller Megaswitch that is hardwired to do something similar. I am thinking the next project I do might have something like this.Administrator of the SDUGF
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i don't have that ibanez, but i have a 59/Dd combo in a flying v. Sounds great!Quality riffs in about a minute...
https://www.youtube.com/channel/UC2B...Y3EewvQ/videos
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Originally posted by Mincer View PostThat's a cool idea. I think there is a Schaller Megaswitch that is hardwired to do something similar. I am thinking the next project I do might have something like this.
And, they don't appear to be showing the neck black wire, or bridge red wire, both grounded.Last edited by ArtieToo; 11-24-2020, 04:43 PM.
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I have a 101/103 in my Jenna Jameson V. The 101 is indeed 59-ish. Perhaps a little louder than a real 59. Great combo.
59 Distortion is a great combo too. On the "middle" position of a Les Paul it really adds some thump and depth to a Distortions Uber-crunch. Of course, in the neck only you get classic whatever you want.
I'd think that wiring would be EXCELLENT in a 24 fret where the two pups are slightly closer....
Originally posted by Bad City
He's got the crowd on his side and the blue jean lights in his eyes...
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Originally posted by Aceman View Post59 Distortion is a great combo too. On the "middle" position of a Les Paul it really adds some thump and depth to a Distortions Uber-crunch. Of course, in the neck only you get classic whatever you want.
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Originally posted by ArtieToo View Post
I'm fairly familiar with the classic C5/59 combo. How would you characterize subbing in the Distortion for the C5?
But - as all have and will say: The Distortion is really present mids. It cuts like a knife. The C5 - what mids? It is as scooped as the CCis humped.
I'm guessing a 59 and C5 would sound good together. The c5 is kind of an extreme version of a 59: More bass, less mids, more treble, more loud.Originally posted by Bad City
He's got the crowd on his side and the blue jean lights in his eyes...
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