Originally posted by SoPhx
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Clapton’s “The Fool” SG pickups
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Originally posted by Ace Flibble View PostNot true. I've cleaned up a couple of 50s LPs that had 300k pots, one was a 1957 and the other was a 1958. In fact I first heard of 300k pots, period, when an ES-175D (IIRC 1953 or 54) came through the shop I was at at the time and that had... I forget which way around it was, but it was either a 500k volume and 300k tone or vice-versa. In any case, Gibson were using 300ks long before 1973. I'm not sure where you got that date other than that a quick Google search for it brings up another post on this forum where some random hazards a guess that 300ks came in around that time.Last edited by beaubrummels; 12-06-2020, 02:31 PM.
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Originally posted by Ace Flibble View PostNot true. I've cleaned up a couple of 50s LPs that had 300k pots, one was a 1957 and the other was a 1958. In fact I first heard of 300k pots, period, when an ES-175D (IIRC 1953 or 54) came through the shop I was at at the time and that had... I forget which way around it was, but it was either a 500k volume and 300k tone or vice-versa. In any case, Gibson were using 300ks long before 1973. I'm not sure where you got that date other than that a quick Google search for it brings up another post on this forum where some random hazards a guess that 300ks came in around that time.
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Originally posted by BenPerkins View Post
FWIW - I received an email from Jon @ Gibson Customer Service. He indicated that 500k pots were used in all positions for ‘64 SGs and that the change to 300k occurred in the early 70’s.
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People need to remember that Strats, Les Pauls, SG's, etc. were never created to make the sounds we make with them today. Marshall amps, wah wahs, fuzzes, overdrives, master volumes and high gain amps...none of that stuff existed. Surf guitar was about as aggressive as it got. It was mostly pop, jazz, country and maybe some rock a billy and blues. That's why it's fair to say that guys like Eric Clapton invented today's overdriven rock tones. Van Halen wanted Eric Clapton's Cream-era tone! No one had played like that before. Not BB King, not Freddie King, not James Burton, not the Ventures, not Dick Dale, not Duane Eddy, not Joe Maphis, not anyone. Clapton took all of those guys and then added himself and invented modern over driven rock guitar tone with bluesy finger vibrato and bluesy bent notes and bluesy phrasing. He was one of the rare guys who knew about using an unwound G string. George Harrison didn't. That's why on Beatles records you can hear George struggling to bend notes. It was Memphis guitarist Reggie Young who showed George the secret: an unwound G string. Clapton already knew it.
Clapton was the Eddie Van Halen of his day.
Then along came Jimi Hendrix.Last edited by Lewguitar; 12-07-2020, 08:19 PM.“Practice cures most tone issues” - John Suhr
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Originally posted by Ace Flibble View PostNot true. I've cleaned up a couple of 50s LPs that had 300k pots, one was a 1957 and the other was a 1958. In fact I first heard of 300k pots, period, when an ES-175D (IIRC 1953 or 54) came through the shop I was at at the time and that had... I forget which way around it was, but it was either a 500k volume and 300k tone or vice-versa. In any case, Gibson were using 300ks long before 1973. I'm not sure where you got that date other than that a quick Google search for it brings up another post on this forum where some random hazards a guess that 300ks came in around that time.
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