While I don't like the Jazz, I found it was a perfect pickup in a very mid-heavy poplar guitar I own. The high end and lack of mids and bass is just what the guitar needed. In the bridge, I use a Custom 5, which also wouldn't be a pickup I would normally use, but it works here.
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Originally posted by formula73 View PostGibson 498T has sounded fantastic every time I’ve played one, regardless of the guitar or individual pickup.
Then you are missing out. DM has its own character no SD can substitute for.
DiMarzio has some very innovative designs. Duncan has nailed classic guitar tones with many straightforward designs, but made with high-quality parts and attention to detail.
Dimarzio seems to be more experimental. We guitarists are generally Luddites, so these tweaks don't necessary give us the "mojo" we want, but they do create new voices and tones that we might not otherwise get
(sorry, painting with a broad brush here, but that's just my opinion)Gibson LP, Burstbucker 3 A6, 490R A4
Gibson LP, Pearly Gates A6, Sentient A4
Gibson LP BFG, Burstbucker A8, P90
Gibson SG special T, GFS Crunchy Mini, Gibson mini A3
Strat SSS, SD STK-6 , SSL1 middle, Bootstrap Sparkle Neck
Strat HSS hardtail, Perpetual Burn A6, Bootstrap Sparkle mid/neck
Tele, DMZ Area Hot T, Gibson Mini A3
Tele, DMZ Pegasus A2, Gibson Mini A3
Jackson V, SD Pegasus bridge, 490R A5
PRS SE CU24: Air Norton A2, 490R A3
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Originally posted by Clint 55 View PostI would recommend A2, A3, UOA5, A5, or A6.
I wish it were more common in production pickups. The SD Bonamassa Amos pickups are the only production pickups I know of that used A6, and they were a limited runGibson LP, Burstbucker 3 A6, 490R A4
Gibson LP, Pearly Gates A6, Sentient A4
Gibson LP BFG, Burstbucker A8, P90
Gibson SG special T, GFS Crunchy Mini, Gibson mini A3
Strat SSS, SD STK-6 , SSL1 middle, Bootstrap Sparkle Neck
Strat HSS hardtail, Perpetual Burn A6, Bootstrap Sparkle mid/neck
Tele, DMZ Area Hot T, Gibson Mini A3
Tele, DMZ Pegasus A2, Gibson Mini A3
Jackson V, SD Pegasus bridge, 490R A5
PRS SE CU24: Air Norton A2, 490R A3
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I can't really say there is anything that i hate.
Ones that i like that others bash are:
dimazio/ibz bridge - its similar to a super 3, but about as strong as a norton or breed. That is a very good thing IMO
full shred - they are bright, but get them closer to the strings and they fatten up. Also, adding some bass at the amp males all the difference. I love these in my mahogany rg
Lace sensors - yep, they arent like regular single coils. you love em or hate em.
Dimarzios in general and breeds in particular. I love that certain midrange thing they all have going on compared to other winders. That signature sound. It works for me.
The breeds are a fixer pickup and should be treated as such. They are menat to warm up a super strat, and they do that. putting them in a les paul is not wise. Since i installed these in my rg921, it has become a top 2 player.
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Tele: Antiquities, Vintage, Stacked, Jerry Donahue Strat: Antiquities, Vintage P90s: Antiquities, Vintage, PhatCats Humbuckers: PRails, JB, 59, Pearly Gates, Custom 5, Antiquities, Dimebucker (used with pickups that are Alnico magnets to shake it up a bit)
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Hate: EMGs (except the retroactives) and Dimarzio (except the Super D and stacked singles). I get that a lot of people like them, and a lot of musicians I like use them, but they just don't work for me.
Hated that I like: stock Screamin Demon, 57 Classic+
Others have brought up the 498T, I like it, just not when combined with a 490R. I can never get my Amp EQed in a way that both pickups sound good. Same problem with the Wide Range "reissues"sigpic
Gibson LP Trad Pro II->Various pedals->MEsa Boogie MkV->Owensby/219 Guitar Works Vertical Slant 2x12 w/WGS ET-65 and Veteran 30.
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Originally posted by zizyphus View PostA6 is my favorite bridge position magnet!
I wish it were more common in production pickups. The SD Bonamassa Amos pickups are the only production pickups I know of that used A6, and they were a limited runLast edited by Clint 55; 10-15-2021, 01:57 PM.
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Hate: the JB. It manages to somehow be loose in the bottom while having very little bottom. No idea how they pulled off that feat, but it's everything I don't want in a pickup.
Love: Carvin M22SD. Best high output bridge pickup ever. Well balanced with enough bottom to have punch, but still tight; enough top end to have detail, but not shrill; mids are present, but not honky; enough output to push an amp, not enough to turn to noise.
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Originally posted by Cynical View PostHate: the JB. It manages to somehow be loose in the bottom while having very little bottom. No idea how they pulled off that feat, but it's everything I don't want in a pickup.
Love: Carvin M22SD. Best high output bridge pickup ever. Well balanced with enough bottom to have punch, but still tight; enough top end to have detail, but not shrill; mids are present, but not honky; enough output to push an amp, not enough to turn to noise.Last edited by gsammo79; 10-15-2021, 05:48 PM.Epiphone Les Paul Tbte Plus (SD custom shop humbucker & SH2b neck)
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Originally posted by Clint 55 View PostIt's a really stellar magnet. The fact that it isn't used in production or even by most mag swappers is silly. It performs equally as well as the ubiquitous A5 but adds some soft low mids and has the top very slightly rounded. I was able to get A6 in my Fralin minis as a stock option.
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A6 would be a step down in aggression compared to A8. A6 compares the most to A5. It doesn't have the metallic, middy, slightly synthetic aggression that the A8 has. It's basically A5 with soft low mids and very slightly rounded top compared to A5. In the neck it can be bouncy and slightly scoopy like A5 but with a tad more character. In the bridge it softens things up a bit compared to A5, but it doesn't get chewy like the UOs or synthetic and aggressive like A8. I have an A6 in my Ant JB in my Mustang and I like it. Here's a lil tone clip I did a while ago.
Last edited by Clint 55; 10-15-2021, 11:10 PM.
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