I don't like treble bleeds when using a fuzzface and doing the volume knob clean up thing. Most other situations I prefer them though.
Announcement
Collapse
No announcement yet.
Anybody NOT prefer treble bleed?
Collapse
X
-
Join me in the fight against muscular atrophy!
Originally posted by Douglas AdamsThis planet has - or rather had - a problem, which was this: most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movements of small green pieces of paper, which is odd because on the whole it wasn't the small green pieces of paper that were unhappy.
-
I’m not a fan.
I have my LP set up for 50’s wiring on the neck pickup and modern on the bridge.
This way the neck pickup stays clear when I need to roll it down and the bridge darkens a little. Perfect for me.
- Likes 2
Comment
-
Originally posted by Gtrjunior View PostI’m not a fan.
I have my LP set up for 50’s wiring on the neck pickup and modern on the bridge.
This way the neck pickup stays clear when I need to roll it down and the bridge darkens a little. Perfect for me.
- Likes 1
Comment
-
Originally posted by Mincer View PostNot for me. I dig the darker sound.Guitars
Kiesel DC 135, Carvin AE 185, DC 400, DC 127 KOA, DC 127 Quilt Purple, X220C, PRS Custom 24, Washburn USA MG 122 proto , MG 102, MG 120.
Amps PRS Archon 50 head, MT 15, Mesa Subway Rocket, DC-5, Carvin X50B Hot Rod Mod head, Zinky 25watt Blue Velvet combo.
Comment
-
Originally posted by alex1fly View PostLet's discuss.
I've always had treble bleed in my guitars. Whether it was factory wiring or luthier work, I just took it for granted that my highs would stay as I rolled the volume down.
Got my SG back from a re-wire (to remove the PCB) and there's no treble bleed. I'm trying to take the opportunity to play with it as is... definitely different, though, having volume and high end linked together like this.
Who uses a non treble bleed setup? What do you like it for?
Comment
-
-
-
Originally posted by Ayrton View Post
Where is this pulled from?
Its actually very good because it allows to darken the sound with the treble bleed which otherwise isnt possible normally, as in a proper modern wiring that can sound darker or brighter with the volume rolled down using the tone control.
- Likes 1
Comment
-
I really like treble bleeds. Whatever ibanez uses on their HH guitars is perfect for me.
Ten is full on as normal.
Down to 5/6 it gets warmer.
below 5 it starts getting brighter.
Its a bit funky when playing clean, but it's when i use it with high gain pedals that it shows it's worth.
My craziest is in my tele. Harmonic design vintage plus into 500k pots/.022cap.
Below 9, it starts getting bright. By 5 it is super bright and thin. This is a cool feature because i can "fine tune" the thickness of the tone.
Even better is that no matter how low i drop the volume, and no matter how thin and bright it gets, i can get back to a normal sound by working the tone control.
I am so used to playing with bleeds, that the dull sound a non bleed equipped guitar has is unusable to me. Excess treble can be cut with the tone knob, but once the treble is gone (no bleed) you can't spin a knob to get it back
Comment
Comment