What Seymour Duncan pickups would be closest to the Gibson 490R & 498T set? Thanks!
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Seymour Duncan 490R/498T equivalent?
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The 490R is closer to a 59, but with a lot less personality.Administrator of the SDUGF
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Just spec-wise on paper, what Blille posted is closest, but those don't sound anything like a 498T/490R set.
Sound-wise, there's almost nothing.
But who wants a Duncan version of a Gibson pickup? If you're going Duncan, it's to improve upon and fix what's wrong with the Gibson set. And to that end, I'd move in any of these directions...
Pearly Gates set
Seth set
Whole Lotta Humbucker set
Distortion set
Black Winter set
...for a start.
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Actually the Custom 5 is closest to the 498T....not that specs are everything but it shares a similar DCR, has the same wire gauge and magnet. They are both quite brash and scooped - in the wrong guitar they are a nightmare but the C5 will be more balanced.
The A2 pro is probably closest in nature to the 490R in its intent.....but with more clarity.
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Originally posted by Mincer View PostThe 490R is closer to a 59, but with a lot less personality.I get the feeling the A8 will blow your skirt up more so - Edgecrusher
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Originally posted by Securb View Post
What is wrong with a Gibson set? Gibson makes some amazing pickups.
My take on the 498T/490R is they were designed for versatility, because Gibson has to make their guitar work for the widest possible group of players, which makes the pickups good a most things but not the pinnacle for any one particular kind of playing or sound. With factory height settings and the poles leveled, I can do metal all day, or back off the volume and do cleans/pop/funk. With them lowered significantly and the poles raised, I can get it to sound like a PAF / vintage LP to a degree and cover blues, even some country-ish picking, but it's missing that top end spank and the mids are not quite clear. String to string definition with chords is not there. That's where moving to Duncans and others to 'fix' comes in, IMO.
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Originally posted by AlexR View PostActually the Custom 5 is closest to the 498T....not that specs are everything but it shares a similar DCR, has the same wire gauge and magnet. They are both quite brash and scooped - in the wrong guitar they are a nightmare but the C5 will be more balanced.
The A2 pro is probably closest in nature to the 490R in its intent.....but with more clarity.
I was also thinking about the Custom 5 for the 498T but I thought it did something in the upper mids closer to the JB than the C5. Don’t really disagree. Different pickups at the end of the day so it’s not a direct match.
They didn’t last that long for me so I’m not an expert but that’s my take.
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I agree with the 498 is 'like' a Custom 5. I don't know what the 490 is like. Or care. If this set works for you - great. Rock it in good health (or jazz it, blues it, whatever).
Securb is a fan. While I could play whatever with these pickups, I could easily find a number of other pickups I prefer for any given purpose. as a set over all, the work for whatever, and are are great at nothing IMO. But even at that - if you just got a guitar with them, live with them for a while. Just on principle...you might like/love them.
But just like I think a Jazz is a way better version of a T-TOp, I think the C5 is a way better 498. Not that I am a fan of either in general.
And yes - Gibson does make some fine, if over-priced pickups: P90, 500T, BB1, BB2's, Dirty Fingers, so I'm not Gibson hating. But that set just isn't my thing.Originally posted by Bad City
He's got the crowd on his side and the blue jean lights in his eyes...
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We may be suffering from a little Unconscious Bias assuming the OP is replacing a set. Maybe the OP heard a set and wants to get that tone, but is loyal only to SD? Just thinking out loud...
To come close to getting back on topic, I pulled this set from my LP Classic 1960 and replaced them with '59s. But I wanted to get that vintage tone.I miss the 80's (girls) !!!
Seymour Duncans currently in use - In Les Pauls: Custom(b)/Jazz(n), Distortion(b)/Jazz(n), '59(b)/'59(n) w/A4 mag, P-Rails(b)/P-Rails(n); In a Bullet S-3: P-Rails(b)/stock/Vintage Stack Tele(n); In a Dot: Seth Lover(b)/Seth Lover(n); In a Del Mar: Mag Mic; In a Lead II: Custom Shop Fender X-1(b)
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