I've got a JB in one of my Gibsons and a Distortion that's been in a few guitars. 7-string models. Both good, both very close to being ideal, but I wish they had a little more of an open dynamic feel and more harmonic complexity. Most of my favorite pickups have some offset between the coils, and I have an uneducated hunch that that's part of what makes them feel more open and responsive to me. Would it be worth taking these apart to create two JB/Distortion hybrids, keeping in mind that the differences I'm looking for are pretty subtle? Has anybody done this? Or is this just a fool's errand, not giving me the results I'd want, not worth ruining two good pickups over?
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A dumb question - JB/Distortion hybrid?
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I suspect not. At the end of the day, you are going to use a JB mag or a Disruption mag (A5/Ceramic) That will pretty much impact the flavor of whatever pickup that mag is from.
The coils are not that different (but not the same).
I suggest the custom shop.
Last edited by Aceman; 09-16-2023, 10:22 PM.Originally posted by Bad City
He's got the crowd on his side and the blue jean lights in his eyes...
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Some information and a couple other options:
https://forum.seymourduncan.com/foru...id#post1711528
https://forum.seymourduncan.com/foru...60#post4881760
https://forum.seymourduncan.com/foru...d-with-jb-coil
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I prefer the JB/Superdistortion hybrid I've got. :PJoin me in the fight against muscular atrophy!
Originally posted by Douglas AdamsThis planet has - or rather had - a problem, which was this: most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movements of small green pieces of paper, which is odd because on the whole it wasn't the small green pieces of paper that were unhappy.
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Slug coil from the JB. It's kind of a mid point between the two pickups. Gets a little bass and articulation of the SD with some mid boost from the JB and plenty of power. I like that you can roll back the volume with it to reduce gain without making it muddy.Join me in the fight against muscular atrophy!
Originally posted by Douglas AdamsThis planet has - or rather had - a problem, which was this: most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movements of small green pieces of paper, which is odd because on the whole it wasn't the small green pieces of paper that were unhappy.
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Originally posted by GuitarStv View PostSlug coil from the JB. It's kind of a mid point between the two pickups. Gets a little bass and articulation of the SD with some mid boost from the JB and plenty of power. I like that you can roll back the volume with it to reduce gain without making it muddy.Take it to the limit
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Originally posted by Seashore View PostAwesome... I'm assuming, since you kept the SD screw coil, you kept the Dimarzio baseplate?Join me in the fight against muscular atrophy!
Originally posted by Douglas AdamsThis planet has - or rather had - a problem, which was this: most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movements of small green pieces of paper, which is odd because on the whole it wasn't the small green pieces of paper that were unhappy.
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Well, I made a JB hybrid for my Gibson, and I love the result. I wound up keeping the screw coil and baseplate from the JB and using the slug coil, single thickness ceramic magnet, and shorter filister screws from a BKP Brute Force neck pickup. Those spec at 13.4k, so a bit lower than a JB coil but not light years apart.
Tonally it reminds me a bit of the "Seymourizer" but with a more open/complex high end. The "sweet spot" is wider. Attack and compression are exactly what I was looking for (more and less, respectively) - there's something about my favorite BKPs that makes it easier to get more saturation without having to fight for note definition, and this is doing that. It still has some of the JB sizzle that I love, but also more crunch. I was worried about having a sort of bland, overstated midrange because of the sound of the Brute Force pickups, but these particular coils complement each other well. Sounds great with the amp set flat, no weird humps or spikes to correct for.
Fans of deep clean sounds won't like this coil combo. It has that zingy gritty ceramic bridge pickup clean sound. Middle position with the Jazz Neck, though, that gives me a really cool, scooped, hi-fi clean that I could probably find a lot of spots for. Hot lead sounds on the bridge are not as smooth as the stock JB but still sing well enough, not too jangly.
I had to use electrical tape on the coil-to-lead connections and the bulk of the tape kept me from getting it tucked back in as nicely as I would have liked. The bobbins are also very slightly different heights and I wasn't able to fit a spacer, so the top of the slug coil is tilted ever so slightly out of level with the screw coil. I hope the tape doesn't pose a problem for long term durability. I can take it apart and redo it if needed, I guess.
I'll try and do some clips if anyone is interested. I just had the most fun playing this guitar after I finished up. All in all I couldn't be happier. It's finally not fighting me.
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I did record a couple riffs with the stock JB, and also the Distortion and the Rebel Yell in their respective guitars, and they sounded so very similar on the recording... and that made me think about the "pickups don't matter" video, the fact that amp and mic and placement and recording preamp are all the same, and that I was playing bland "pickup demo" riffs, when what really sets these pickups apart is how they respond when I'm actually playing the stuff I play, which is more complicated. Wish I had done more recording here before the surgery. Dumb blah riffs hide more than they reveal. But it also made me think about subtleties of feel, and how I know the sound I'm looking for, but some setups make me work harder to get there. Not surprising that it could sound pretty similar in a recording, but my playing will be more or less relaxed depending on how much work I have to do, which is not entirely conscious. With this pickup swap, I kept the same strings on the guitar, but when I was playing I felt like I'd gone a gauge or two lighter.
I've also been playing a Gibson with a Bare Knuckle bridge pickup through this one amp for about 16 years now, so that's very much what I'm used to. Hard ymmv caveat.
Take it to the limit
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Originally posted by Clint 55 View PostI made a JB/Distortion neck hybrid and it sounded awesome. I like the subtle differences between the 2 pickups. It's definitely worth making a hybrid.Take it to the limit
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The SH7/SH4 hybrid is INSANELY cool. It's very close to a Pegasus/JB hybrid and Custom/JB Hybrid. 43awg, but less winds on the coil (custom has most, pegasus less, SH7 less), so the JB is stronger, but man, great pickup. Love the bite and bark.
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Originally posted by orpheo View PostThe SH7/SH4 hybrid is INSANELY cool. It's very close to a Pegasus/JB hybrid and Custom/JB Hybrid. 43awg, but less winds on the coil (custom has most, pegasus less, SH7 less), so the JB is stronger, but man, great pickup. Love the bite and bark.
Pegasus was my other Duncan option for this one aside from the Distortion bridge. I would still like to try it. But the 7-string Pegasus and Distortion I have are both in use in the same guitar and I didn't want to screw it up. I suppose with the ceramic magnet and screws, this hybrid has more parts from the BKP than the JB, but similarly to you I can still hear the JB character coming through. Love it.Take it to the limit
Everybody to the limit
Come on Fhqwhgads
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