Originally posted by Aceman
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The Distortion is in a good home right now so I was happy to leave it as is. If I do wind up putting the JB slug coil and maybe an A5 in there at some point, I'll record some before and afters. Dealing with those active mount housings is a pain.
I did record a couple of samples to a click with the following pickups, heard in order: 7str Distortion (in a 26.5 Schecter with a Floyd); the original 7str JB (in a 24.75 Gibson LP); the new 7str JB/BKP "Brute Force" neck model hybrid (in the same Gibson LP); 6str BKP Rebel Yell (in a 24.75 Gibson Explorer). There are two different boring riffs and they each rotate through the same pickups. I don't know how to embed a Soundcloud player on this board, but here's a link:
The differences are apparent, and the long scale guitar is the outlier, but there's no denying you'd hear a much more drastic difference just moving the microphone a little. This project was not about finding the perfect magic EQ curve. The JB was too compressed and I was digging in too hard to try and get the response I wanted. The hybrid makes it easier. It's subtle. It's more about how hard I have to work to get a sound I like than the sound itself.
I'm still setting everything up in the new space and I might double mic the VHT cab, but I'm close to having something I can use with this setup. It's my guitar into a VHT Pittbull 100CL and a VHT Deliverance 4x12, recorded with an SM7B into a Golden Age Pre73, Focusrite interface.
Here's another couple riffs with just the hybrid pickup:
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