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Digitech Bass Driver. Used but not abused condition. $45 shipped
The Bass Driver Distortion is the world’s most advanced overdrive pedal designed specifically for bass. DigiTech’s exclusive AudioDNATM technology is what makes the Bass Driver more than a standard overdrive stompbox. Rather than working with a single distortion circuit, the Bass Driver features a Morph knob that blends three totally distinct overdrive and distortion types. You now get a wide variety of overdrive sounds that can be dialed in quickly and easily.
Level Knob
Controls the effect’s output level. Turn this knob clockwise to increase the output level, and counter-clockwise to decrease the output level.
Tone Knob
Controls the boost or cut of high frequencies. Turn this knob clockwise to increase the high frequency content, and counter-clockwise to decrease the high frequency content.
Blend Knob
Controls the dry/distortion mix. Blending in dry signal helps maintain the bottom end that is usually lost when using a standard overdrive or distortion stompbox. At the Blend knob’s minimum position, only dry signal is heard. At the Blend knob’s maximum position, only distortion signal is heard. Experimenting with different Blend and Morph knob settings provides tremendous flexibility in the overall distortion sound.
Morph Knob
Morphs the three different distortion sounds. The minimum position is a light overdrive tone. The 12 o’clock position is a warm fat distortion sound. The maximum position is a classic high gain fuzz that will push your bass tone over the edge when you need it. Experiment with different Morph and Blend knob settings to hear the wide variety of sounds the Bass Driver is capable of creating.
The Bass Driver Distortion is the world’s most advanced overdrive pedal designed specifically for bass. DigiTech’s exclusive AudioDNATM technology is what makes the Bass Driver more than a standard overdrive stompbox. Rather than working with a single distortion circuit, the Bass Driver features a Morph knob that blends three totally distinct overdrive and distortion types. You now get a wide variety of overdrive sounds that can be dialed in quickly and easily.
Level Knob
Controls the effect’s output level. Turn this knob clockwise to increase the output level, and counter-clockwise to decrease the output level.
Tone Knob
Controls the boost or cut of high frequencies. Turn this knob clockwise to increase the high frequency content, and counter-clockwise to decrease the high frequency content.
Blend Knob
Controls the dry/distortion mix. Blending in dry signal helps maintain the bottom end that is usually lost when using a standard overdrive or distortion stompbox. At the Blend knob’s minimum position, only dry signal is heard. At the Blend knob’s maximum position, only distortion signal is heard. Experimenting with different Blend and Morph knob settings provides tremendous flexibility in the overall distortion sound.
Morph Knob
Morphs the three different distortion sounds. The minimum position is a light overdrive tone. The 12 o’clock position is a warm fat distortion sound. The maximum position is a classic high gain fuzz that will push your bass tone over the edge when you need it. Experiment with different Morph and Blend knob settings to hear the wide variety of sounds the Bass Driver is capable of creating.
