Originally posted by DankStar
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Originally posted by DankStar View PostUpdate: my dad is sending me one of his laptops he used to use for work (he buys expensive stuff usually lol). Going to make a switch in the coming days hopefully
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Originally posted by Securb View PostThe other thing I would look at is the speed of the hard drive. If the hard drive can not read and write fast enough to keep up with the application that could also cause a crash.Originally posted by crusty philtrumAnd that's probably because most people with electric guitars seem more interested in their own performance rather than the effect on the listener ... in fact i don't think many people who own electric guitars even give a poop about the effect on a listener. Which is why many people play electric guitars but very very few of them are actually musicians.
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I know a couple of people including Dystrust and Steve are developers. I have done some code analysis on Audacity, I am going to do Waveform next, just downloaded it from Github. I mapped out the cyclomatic types of files, critical cores, and other architectural attributes. If anyone is using the open-source code and wants a better view and understanding of the architecture or the dependency tree, let me know I have already done the work. At first blush, Audacity has large critical cores and a lot of cyclomatic dependencies.
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Originally posted by DankStar View PostGrabbed some Waves plugins during the sale: CLA-3A, CLA-76, J37 tape, and SSL EV2 channel. Most excited about the channel one. Dead duck's was fun, but this one has a ton more features.
Some Waves plugins that I dig:
L1 Limiter: Great low-overhead (CPU) limiter to put on the two. I use this all the time until I'm ready to slather on the fancy mustard (UAD Shadow Hills Mastering Comp) for finalizing.
Abbey Roads Plates: Great EMT140 emulations
API 550 A/B, 560, 2500: API Waves EQs and comp
GEQ Classic / Modern: excellent graphic EQs
H-Delay: killer delay ("H" IIRC stands for "hybrid") and convincing echoplex sound
IR 1: used for convolutions (reverb, etc)
Kramer Tape: cool for adding tape satch or tape delay
PuigTec EQs: when you gotta have a Pultec
Q1-10: another great EQ
Scheps73: when you gotta a Neve 1073 preamp
etc
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The Waves Renaissance suite is pretty remarkable, too.Administrator of the SDUGF
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Originally posted by NegativeEase View PostHead to Head testing, it clobbered Reaper for most things.
Only way to directly compare the two ***sound-wise*** is by testing their included plugins (respectively), not 3rd party plugins. Myself personally, not interested in that kind of comparison as I already have a huge library of pro plugins.
I find combining Reaper with killer 3rd party plugins (Universal Audio - my Apollo 6x, Waves, Eventide, Soundtoys etc ad infinitum) does the trick.
Minus any included plugins, and barring any functionality & GUI differences between DAWs, these DAWs are really just a "wrapper" for the plugins you're using - "colorless" (tonewise) software that relies on plugins to add any flavor.
I can see functionality & GUI differences, however. That much is obvious.
All that being said, I'm always on the lookout for new DAWs just to keep up with things. Harrison Mixbus looks intriguing. And I'm tired of the ProTools bandwagon.
Last edited by LLL; 06-20-2022, 11:06 AM.
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Originally posted by LLL View Post
Have a few examples of how?
Only way to directly compare the two ***sound-wise*** is by testing their included plugins (respectively), not 3rd party plugins. Myself personally, not interested in that kind of comparison as I already have a huge library of pro plugins.
I find combining Reaper with killer 3rd party plugins (Universal Audio - my Apollo 6x, Waves, Eventide, Soundtoys etc ad infinitum) does the trick.
Minus any included plugins, and barring any functionality & GUI differences between DAWs, these DAWs are really just a "wrapper" for the plugins you're using - "colorless" (tonewise) software that relies on plugins to add any flavor.
I can see functionality & GUI differences, however. That much is obvious.
All that being said, I'm always on the lookout for new DAWs just to keep up with things. Harrison Mixbus looks intriguing. And I'm tired of the ProTools bandwagon.
Reaper is great for stand alone recording but once you get into large scale tracking, live or llve contribution with mix minus, IFB, and such -Mixbus is way better“For me, when everything goes wrong – that’s when adventure starts.” Yvonne Chouinard
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Originally posted by NegativeEase View Post
yeah let me clarify -not in "sound" both are quality in that regard. i am talking -stability, architecture, using NDI and Dante -using Cloud instance etc etc
Reaper is great for stand alone recording but once you get into large scale tracking, live or llve contribution with mix minus, IFB, and such -Mixbus is way better
Speaking of Harrison, UAD does their 32C EQ as a plugin (same EQ used on Michael Jackson's Thriller):
https://www.uaudio.com/uad-plugins/e...rison-32c.htmlLast edited by LLL; 06-24-2022, 12:55 PM.
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Originally posted by LLL View Post
Speaking of Harrison, UAD does their 32C EQ as a plugin (same EQ used on Michael Jackson's Thriller):
https://www.uaudio.com/uad-plugins/e...rison-32c.html“For me, when everything goes wrong – that’s when adventure starts.” Yvonne Chouinard
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