A new line of premium tremolo as seen at NAMM:
Featured models include a mix-and match lego aspect to combine three different bridge elements and various TremStop and "Soft Stop" built-in stabilization for a drop-in fit within vintage specs:
"2:22" models fit Fender® American Standard...
Coherent Sound In Light, in association with Ping Well Industrial Co., Ltd., is a startup company dedicated to advanced integrated tremolo systems
and tremolo stabilizing systems dimensioned as a drop-in fit for vintage tremolos in premium materials at comparative prices.
CSLSophia.com
CSL --...
My friend Jerry dropped by and shot a strat-style build withthe new CSL Sophia 2:22 with a stainless steel 83000 Semi-Stabilizer / Soft Stop in action ....
NAMM 2016 -- Booth 1152 -- there will be contests for free Semi-Stabilizers...
Re: Global Tuner big inertia blocks for OFR Schaller - see ZR trems
Just an update ... CSL Sophia Tremolos and Global Tuners will be at NAMM 2016 Booth 1152.
The design philosophy for CSL Sophia Tremolos offers one of two two base plates, the CSL Sophia 2:22 and CSL Sophia 2:92, to start --...
I have a few of my first prototype run of patented Global Tuners for sale @65.00 -- brass bases for OFR and steel base for Schaller in 32/33mm and 37/38mm sizes -- easy upgrade, drop in fit, etc. ... louder, more dynamic and more sustain/umph...
These are hand made with slight markings -- the...
I have been using the C8 in my Gibson SG w/ a factory floyd with 50's wiring so I can back off the volume to clean up, etc. -- lot's of interesting tonal possibilities just in adjusting height and screw positions -- there's a single coil in the fingerboard position as a well as a coil tap...
I have a guitar w/a Floyd, mahogany body, maple neck, 2-octave 25.5" scale ebony board -- the Custom 8 has been working the best of anything so far but I usually ride the volume about 3.5 for the touch sensitive edge of breakup.
When I read about the new PB -- I had to wonder if this pup...
I have a Custom 8 in the bridge position and single coil STK-S6 in the neck on a SG-like mahogany body, set maple neck w/ 25.5 board and floyd.
50's wiring with 500k Volume and 500k Tone (incl push-pull coil split on the HB) and a.022 cap -- I use a EB volume pedal for a different effect when...
I have an SG-style, mahogany body and 24 fret mahogany neck (ebony fret board / 25.5" scale neck) with one bridge HB -- the plain strings sing nicely, but the wound strings seem a little "wooly" or lacking piano like detail -- would the IM1 be preferable over the Custom 8 -- I play fusion, jazz...
When the Super Distortion was first introduced it was pretty popular since, in lay terms, it had a higher output that could hit the front end of the amp which at the time did not yet really have a developed high gain/master volume feature in order to get more sustain and harmonics, etc.
Since...
There is a diagram on the SD website for this (http://www.seymourduncan.com/support/wiring-diagrams/schematics.php?schematic=1h_1v_1t_sp)
-- can anyone explain how to modify this for a "50's Wiring".
So that's the main question -- how would the Custom 8 compare to a Hybrid in Gibson SG (90 Double) w/ an ebony fretboard?
Further, has anybody found the coil split in a Custom 8 to be particularly interesting?
And finally, what single coil pup would would you select to match either a Custom 8...
I have three Gibson SGs, each with a coil tap yielding the following output measurements when the volume is on "10":
Hybrid -- 11.67K and 7.55K
Custom 85 -- 14.56 and 7.34K
Stock w/Bill Lawrence (HB-L / L-8) -- 13.22K and 6.67K:
I thought it would be revealing to see where the outputs are...
I am fortunate to have two Gibson SG-90 Doubles from the late 80's, one with a stock factory floyd and a maple/ebony neck and the other with a string thru tailpiece arrangement and a mahogany/ebony neck; these are notable for their 25.5" two-octave board and come configured with a HB in the...