This one's been covered a few times, but I think we should compile all the knowledge we've got and Vault it if it turns out OK.
I should start by mentioning that Blueman does have a point I fully, completely agree with: A Strat in the wrong hands is painful.
When you're at a gig and you see some guy who's not a very good player plugging his Strat into the same amp some guy with a 335 was playing and doesn't fiddle with the knobs at all, you know what's coming 9 times out of 10: Harsh tone and ringing ears.
So it's easier to get a fat, balanced tone with humbucker-equipped guitars. But good ol' SSS Strats are around for a reason.
Strats are rewarding. If you can tame them, they deliver a sweet, clear and dynamic tone that other guitars just can't do.
But it's not just plugging in and hoping it works out.
I've got a few recipes for making a Strat sound fat.
Keep in mind I'm leaving humbuckers and overdrive/EQ pedals out of it.
I'm only mentioning stuff regarding the instrument itself and the technique/setup, but all tricks are welcome:
String height, high!
Strats like a high string action. String gauge is a factor too, but I've found that the string height has a stronger effect somehow.
Too low and the guitar starts to sound too percussive and plinky. Set it higher, and the mids start to bloom, the sustain gets better and it all sounds a bit more violinesque.
This is also due to the increased distance between the pickups and the strings, but there's a noticeable change in resonance and the amplified sound changes too.
Relax that picking hand.
I, as a Deep Purple fan, have this image of Ritchie Blackmore bashing the crap out of the strings, and sounding badass. But he actually plays with a very soft attack, and for good reason: IMO, it just sounds better. Attack a Strat hard and it will bark with a harsh attack. But with a smoother right hand it will sound mellower and fatter. You might need to adjust your amp to compensate, but it's worth it.
Five springs, pivot screws down: Block the trem.
This one's obvious. It sustains longer, and sounds a bit thicker too. If you can live without the bar, do it.
A master tone pot.
Or at least connecting the bridge pickup to a tone pot: This one's a must.
Leo really got it wrong here: The bridge pickup in a Strat NEEDS a tone pot. Period. There's no other way around it.
Of course, 250k pots...
And not the stupid 500k pots my Strat had when I bought it. Dunno what the previous owner was thinking.
I haven't tried pure nickel strings in my Strat, but logic dictates it should sound warmer.
Do coated, pure nickel strings for electric even exist?
I won't speculate about stuff I haven't tried personally, so here's as far as I'll go.
Waiting for your suggestions and ideas!
I should start by mentioning that Blueman does have a point I fully, completely agree with: A Strat in the wrong hands is painful.
When you're at a gig and you see some guy who's not a very good player plugging his Strat into the same amp some guy with a 335 was playing and doesn't fiddle with the knobs at all, you know what's coming 9 times out of 10: Harsh tone and ringing ears.
So it's easier to get a fat, balanced tone with humbucker-equipped guitars. But good ol' SSS Strats are around for a reason.
Strats are rewarding. If you can tame them, they deliver a sweet, clear and dynamic tone that other guitars just can't do.
But it's not just plugging in and hoping it works out.
I've got a few recipes for making a Strat sound fat.
Keep in mind I'm leaving humbuckers and overdrive/EQ pedals out of it.
I'm only mentioning stuff regarding the instrument itself and the technique/setup, but all tricks are welcome:
String height, high!
Strats like a high string action. String gauge is a factor too, but I've found that the string height has a stronger effect somehow.
Too low and the guitar starts to sound too percussive and plinky. Set it higher, and the mids start to bloom, the sustain gets better and it all sounds a bit more violinesque.
This is also due to the increased distance between the pickups and the strings, but there's a noticeable change in resonance and the amplified sound changes too.
Relax that picking hand.
I, as a Deep Purple fan, have this image of Ritchie Blackmore bashing the crap out of the strings, and sounding badass. But he actually plays with a very soft attack, and for good reason: IMO, it just sounds better. Attack a Strat hard and it will bark with a harsh attack. But with a smoother right hand it will sound mellower and fatter. You might need to adjust your amp to compensate, but it's worth it.
Five springs, pivot screws down: Block the trem.
This one's obvious. It sustains longer, and sounds a bit thicker too. If you can live without the bar, do it.
A master tone pot.
Or at least connecting the bridge pickup to a tone pot: This one's a must.
Leo really got it wrong here: The bridge pickup in a Strat NEEDS a tone pot. Period. There's no other way around it.
Of course, 250k pots...
And not the stupid 500k pots my Strat had when I bought it. Dunno what the previous owner was thinking.
I haven't tried pure nickel strings in my Strat, but logic dictates it should sound warmer.
Do coated, pure nickel strings for electric even exist?
I won't speculate about stuff I haven't tried personally, so here's as far as I'll go.
Waiting for your suggestions and ideas!
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