The only source of gain I have is tube distortion, which I have to play to loud to be able achieve in my house, and a Soul Food. Is it better for me to run the Soul Food with the gain almost maxed out or for me to buy a cheap ($50-ish) distortion pedal run at a lower gain setting. I try to run the SF with a lot of gain, but it gets really harsh and thins out. But if I turn the tone down it's dark, but still thin.
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Overdrive/Distortion Applications Question
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Re: Overdrive/Distortion Applications Question
Originally posted by '59 View PostThe only source of gain I have is tube distortion, which I have to play to loud to be able achieve in my house, and a Soul Food. Is it better for me to run the Soul Food with the gain almost maxed out or for me to buy a cheap ($50-ish) distortion pedal run at a lower gain setting. I try to run the SF with a lot of gain, but it gets really harsh and thins out. But if I turn the tone down it's dark, but still thin.Originally posted by crusty philtrumAnd that's probably because most people with electric guitars seem more interested in their own performance rather than the effect on the listener ... in fact i don't think many people who own electric guitars even give a poop about the effect on a listener. Which is why many people play electric guitars but very very few of them are actually musicians.
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Re: Overdrive/Distortion Applications Question
Learning how to stack gain stages is an important part of good tone, not only do you need to know how you prefer to do it, you should also know how different parts of your signal chain respond with eachother.
The Soul Food for example gets really harsh, as both you and others have stated, at higher gain settings. This means that what you should do is either buy a distortion (a Boss DS-1 is a pretty good unit, especially considering it can be had for ~$40 used) or you could run your amp loud enough that you get some breakup, and then use the Soul Food to push it over the edge.You will never understand How it feels to live your life With no meaning or control And with nowhere left to go You are amazed that they exist And they burn so bright
Whilst you can only wonder why
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Re: Overdrive/Distortion Applications Question
You can find some pretty good clones of expensive distortion pedals for $50 these day. I would look at Tone City. They make a Suhr Riot clone (Wildfire), a Plexitone clone (Golden Plexi), and an OCD clone (Dry Martini). I also really like the Xvive Golden Brownie I bought on Amazon for around that price.
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Re: Overdrive/Distortion Applications Question
First - we need to know what amp you are using.
That said - options include:
Just amp
High gain amp w/ Low Gain OD juicing it
Low gain amp w/ high gain OD juicing it
OD into Distortion into clean amp
Distortion into OD into clean amp
Just Distortion into clean amp
Every one of these is a totally valid solution, and these are not the only combo's. Gotta find what works for you.
All of that said - there are so many good Distortions out there today for $50, new and used, that I would have no problem finding one to use all by itself. And - no matter what the approach, there is always serious time to be spent on dealing with multiple gain levels, multiple EQ stages (Including the amp!) and the order of such things. Someone makes a righteous sound with every combo you can imagine.Originally posted by Bad City
He's got the crowd on his side and the blue jean lights in his eyes...
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Re: Overdrive/Distortion Applications Question
There's also the option kick amp with a clean boost in front of it, that I greatly prefer. (Or treble booster in my case, the classic combo)
Best in that is it gives you all tube distortion, without need for diode clipping"So understand/Don't waste your time always searching for those wasted years/Face up, make your stand/And realize you're living in the golden years"
Iron Maiden - Wasted Years
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Re: Overdrive/Distortion Applications Question
I always try all kinds of ideas. Even ones that 'conventional wisdom' says won't work. I say, use what you have first. Crank the Soul Food up, and re-eq your amp. Have settings for playing at home and other settings for playing live with a band.Administrator of the SDUGF
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Re: Overdrive/Distortion Applications Question
Originally posted by Demanic View PostWhat's wrong with diode clipping?
Sometimes tube clipping is just too loose.
Sent from my Alcatel_5044C using Tapatalk
There's a natural balance in distorting tube, making them often the simplest way to achieve great sounding distortion."So understand/Don't waste your time always searching for those wasted years/Face up, make your stand/And realize you're living in the golden years"
Iron Maiden - Wasted Years
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Re: Overdrive/Distortion Applications Question
It depends on your preferred style, also. If you like a heavy distortion, take some time to find a pedal which creates the sound you like, and make sure it matches with your amp. Certain pedals can react differently with each amp.Turn me on, Dead Man.
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Re: Overdrive/Distortion Applications Question
I got a Soul Food because it was a reasonably priced Klon-like gadget. And like Demanic said, it works quite well in front of another overdrive or distortion unit. When engaged, it takes the crunch tone you have from the second pedal and pushes that tone further into a very sweet range, with more drive and a hint of compression. At least that what it has done for me."Live by the Groove, Die by the Groove."
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Re: Overdrive/Distortion Applications Question
For amps that have distortion:
I always say crank that mofo amp up and then and only then add a stomp if you need any (to quote Nigel) "extra push".
Otherwise, what's the point of having an amp that distorts... only to rely on stompboxes to get your clipping and compression?
Might as well run direct out from your pedals into a PA (speaker emu), clean power amp + speakers, or similar...
...because the amp sure isn't doing any work.Last edited by LLL; 06-13-2018, 05:59 PM.
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Re: Overdrive/Distortion Applications Question
It might work for you. It might not. It depends, but it's a valid approach.
I've had better results cranking tiny amps like the Blackstar Fly 3 rather than plugging a distortion pedal into a tube amp turned up to 0,1.
The fact that the speaker is working it's butt off does something to the end result, I think.Epiphone LP Standard PlusTop Pro
Ibanez SZ320 / A8 DD103 bridge.
Ibanez RG270 / Screamin' Demon bridge.
Egnater Tweaker 15 Head / Laney Cub 8 / 2x12 - Celestion V30+K100
Line 6 M13 and plenty of stompboxes I rarely use!
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Re: Overdrive/Distortion Applications Question
A boost straight in, as Dave said, can be really cool. My little Fender Pro Jr. works great for that. But not, say, a Fender Twin. Which brings back to "What amp you got?"Originally posted by Bad City
He's got the crowd on his side and the blue jean lights in his eyes...
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