I threw this together this morning, running a Sennheiser e609 against an SM57, using my Marshall cabinet with 2 V30's and 2 T-75's.
My Marshall TSL head.
Sometimes it's so surprising how different each speaker really is, and how the mic picks them up so differently.
Mics placed at the edge of the dust cap, on axis.
Gibson Faded V Seymour Duncan Black Winter bridge
Marshall clean Channel
1- Metal pocket Muff distortion SM57 V30
2-Metal pocket Muff distortion Sennheiser e609 V-30
Marshall rhythm Ch2 East River Drive OD
3-SM57 V30
4-Sennheiser e609 V30
5-SM57 G12 T-75
6-Sennheiser e609 G12 T-75
No effects added at all, and all EQ set to 12 o'clock
It's not perfectly scientific research, I don't have any way to play a recorded track through each setting, but it didn't adjust anything, just played sort of the same riff over a drum track and recorded through different speakers and mics.
My Marshall TSL head.
Sometimes it's so surprising how different each speaker really is, and how the mic picks them up so differently.
Mics placed at the edge of the dust cap, on axis.
Gibson Faded V Seymour Duncan Black Winter bridge
Marshall clean Channel
1- Metal pocket Muff distortion SM57 V30
2-Metal pocket Muff distortion Sennheiser e609 V-30
Marshall rhythm Ch2 East River Drive OD
3-SM57 V30
4-Sennheiser e609 V30
5-SM57 G12 T-75
6-Sennheiser e609 G12 T-75
No effects added at all, and all EQ set to 12 o'clock
It's not perfectly scientific research, I don't have any way to play a recorded track through each setting, but it didn't adjust anything, just played sort of the same riff over a drum track and recorded through different speakers and mics.
Comment