Re: Anti-Scales
I have an understanding of how to use altered scales on dominant chords. The ones I use the most are diminished whole tone aka melodic minor a half step above the root of the dominant chord, or whole tone, in addition to mixolydian which isn't altered. On the list to do is get my diminished scales together. I know how to use the half whole diminished scale over a dominant chord because the scale degrees go 1,b2,b3,3,#4,5,6,b7. Has all the tones of an altered dominant chord. Just thinking about how to use the tonality of the whole half diminished scale since it doesn't fit any usual chords besides diminished. Could stick it on a minor chord for an out sound.
I have an understanding of how to use altered scales on dominant chords. The ones I use the most are diminished whole tone aka melodic minor a half step above the root of the dominant chord, or whole tone, in addition to mixolydian which isn't altered. On the list to do is get my diminished scales together. I know how to use the half whole diminished scale over a dominant chord because the scale degrees go 1,b2,b3,3,#4,5,6,b7. Has all the tones of an altered dominant chord. Just thinking about how to use the tonality of the whole half diminished scale since it doesn't fit any usual chords besides diminished. Could stick it on a minor chord for an out sound.
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