Rosewood/cocobolo thinline with Seymour Duncan Psyclone pickups, wenge/bubinga/maple laminated neck, ebony fretboard, hipshot gold hardware
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Bunch of new axes built
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Re: Bunch of new axes built
Flamed maple top on swamp ash back 45mm thick (strat thickness), 5pcs maple/walnut neck, ebony fretboard, 25.5" scale, 22 frets, Hipshot US Contour trem & tuners, Seymour Duncan APS2 singlecoils and '59TB bridge
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Re: Bunch of new axes built
Black korina body with carved front (no top), solid Honduras Rosewood neck shaft, indian rosewood fretboard with trapezoid inlay and maple binding, 24.75" scale & 22 frets, custom singlecoil pickups (NOT p90!)
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Re: Bunch of new axes built
Black korina body with carved front (no top), solid purpleheart neck shaft, indian rosewood fretboard with block inlay and maple binding, 24.75" scale & 22 frets, custom p90 pickups
That's all for March! Got two nice ones for April lined up. May will see three repairs that will take up my time fulltime, but from June till October, it's full-on custom builds! Four LP's, strat, tele, Jazzmaster, Firebird, doublecut, SG.
After that? Done
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Re: Bunch of new axes built
Wow those finishes just glow. Nice guitars, and really nice configurations.
Just curious, how do you pick which woods to use for what parts? For example, when you decide are you thinking of what the pickups sound like and choosing woods to accent/compliment or counter that signature to create an effect? Or do you choose more for cosmetics and only give a more general consideration of tonal character of the wood?
Also, I’ve always wondered, for multi-ply necks is there some kind of guidance for what works best, eg x number of layers is strongest but y layers allows more tonal vibration, and soft woods need to be >50% of the layers and hardest woods <30% of the overall width of the neck, or like 3/8” strip of x, 1/8” strip of y, 3/4” strip of z, 1/8” strip of y, 3/8” strip of x results in ‘some specific’ effect, etc. or is that overthinking it?
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Re: Bunch of new axes built
Originally posted by beaubrummels View PostWow those finishes just glow. Nice guitars, and really nice configurations.
Just curious, how do you pick which woods to use for what parts? For example, when you decide are you thinking of what the pickups sound like and choosing woods to accent/compliment or counter that signature to create an effect? Or do you choose more for cosmetics and only give a more general consideration of tonal character of the wood?
Also, I’ve always wondered, for multi-ply necks is there some kind of guidance for what works best, eg x number of layers is strongest but y layers allows more tonal vibration, and soft woods need to be >50% of the layers and hardest woods <30% of the overall width of the neck, or like 3/8” strip of x, 1/8” strip of y, 3/4” strip of z, 1/8” strip of y, 3/8” strip of x results in ‘some specific’ effect, etc. or is that overthinking it?
I don't actually have a method to how I laminate my necks. I pick what I have, try to maximize the yield of the materials I get in so I don't have to waste as much (wood is expensive, y'all!) and that's that I guess.
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Re: Bunch of new axes built
ink cream Tele and Purple Paul are SWEET!!!!
Get some gold metal knobs on that Paul dammit.Originally posted by Bad City
He's got the crowd on his side and the blue jean lights in his eyes...
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Re: Bunch of new axes built
So great! I remember you used to do Warmoth build, are you building from scratch now or using suppliers for bodies and necks? Either way, love what you are doing here!-=The Dali
--== Unabashed Alex Lifeson Fan
Visit My Guitar Building Blog at www.hammersandchords.com
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Re: Bunch of new axes built
Gosh you can even make a tele beautiful!!!
That's some top notch quality right there buddy! Keep it up!Go buy my book. https://www.amazon.com/dp/198405564X
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Re: Bunch of new axes built
Originally posted by The Dali View PostSo great! I remember you used to do Warmoth build, are you building from scratch now or using suppliers for bodies and necks? Either way, love what you are doing here!
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Re: Bunch of new axes built
Originally posted by 80's_Metal View PostGosh you can even make a tele beautiful!!!
That's some top notch quality right there buddy! Keep it up!
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Re: Bunch of new axes built
Originally posted by orpheo View PostYou are absolutely right! I used to do warmoth but as of 2013, I haven't bought a single Warmoth and started building from scratch. It took a while to get to this level, I have to admit. I do everything myself nowadays (necks, bodies, fit 'n finish, lacquering, assembly, inlay etc). However, I out-source my fretboards. It is just too cost-prohibitive to do fretboards myself. Also, if a guitar needs a maple laminate neck (like this blue LP), I have that made to my specs as well because it is just more economical. I can do it: I do all my other laminations, but the 'plain-jane' maple laminates, I have that done for me-=The Dali
--== Unabashed Alex Lifeson Fan
Visit My Guitar Building Blog at www.hammersandchords.com
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Re: Bunch of new axes built
Originally posted by The Dali View PostThat's awesome. Are you selling these or building for your own collection? I could probably do a body, but a neck build is pretty intimidating.
Interestingly, a neck isn't that difficult. A body is MUCH more difficult!!
What's difficult about a neck? Getting an even radius: you've got a straight edge for that. Cutting the slots to the correct depth: well, you've got a depth gauge on your saw, so that's easy. Leveling the frets and pressing the frets in level: you've got a fret rocker for that. The hard part of a neck is the nut, but there are aids for that too but still... a nut is hard; hard part of a neck is getting the shape even but you can do that with a rasp, files, leveling blocks and you're done. (it only becomes hard if you wanna make a bit of money out of a build and have to have a neck done under an hour ). Other than that? nothing much, really.
Why is a body so hard, then? Because the neck pocket has to be super-tight fitting but not so tight that when you bolt down or glue in a neck, the finish cracks. The difference between a perfect neck joint and junk is just the thickness of a piece of paper. Also, hard is getting the bridge lined up JUST perfectly. Sometimes, that's off center for just 0.1mm but still... it shows. That's hard. But what's super-hard, and that's what makes a body look premium or just decent, is to get all the radii perfect. All super-even, all across the body. To get the pots to be level with the top. To get the pickguard to be flat everywhere without using double sided tape (yeah I've seen that happen, haha!).
I have been doing this for so long now, poured so much money into it, quitting now would be flushing away all that money. So I have to make this work I have given up on the idea of ever turning a profit, but I do would like to see people knowing my brand and finding it, eventually. I know that the website is not online, but the business had a tumultuous start. My business partner quite in '17, I had a very, very bad year in '18 and only now I am seeing the light at the end of that dark tunnel all the while trying to build guitars and getting them better and better, building up a catalog and a portfolio. Once I have made all the ones I wanna make, I will launch that website. That would be, by the by, 4 years after my business partner left, which would be 8 years after I started working on my first one. How time flies.
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