Silence Kid
New member
Anyone use a 12 string as their primary/preferred guitar? Which 12 string is your go-to?
About a month ago I began an attempt to mostly use 12 string, in part to develop my hand strength & rhythm playing, also just to sound different. I'm probably playing 12 string acoustic maybe 75% of the time. Not "inspired" by any particular 12 string sounds or artists, but I have caught on to some Byrds/folksy licks along the way. Mostly just trying to adapt my own playing to a twelve-string mindset.
I have a '68 Yamaha made in Japan slot-head twelve that came to me with issues (half-inch action among them.) I shimmed the truss rod nut, shaved the saddle and ramped the bridge. It is now what to me is "high" action (3mm or so?) but maybe more like normal for most people. Using silk/steel Ernie Balls. The top is somewhat bellied but the worst contributing issue is the neck requiring a reset. Still it sounds great, esp. as it's ply; very loud and sensitive, very smooth, jangly (stringy?) , although high-string chords "glass over" a bit when you strum hard. It also is very lightweight despite a HUGE neck.
Also have a Mitchell MD100S12 that's the polar opposite; almost too warm/rich/woody for (stereo)typical 12 string sounds, but a great guitar on its own with an easy neck. Much more complex high end but mids and attack can maybe become a bit bouncy/phlegmy for me. It's also quite heavy (though very sturdy through the years, I doubt it'll warp or break after all it's been through.)
I love Taylors so far as I look toward more 12 strings, do want to try a Breedlove or maybe a Seagull. Might start really making them my "thing" at this rate.
About a month ago I began an attempt to mostly use 12 string, in part to develop my hand strength & rhythm playing, also just to sound different. I'm probably playing 12 string acoustic maybe 75% of the time. Not "inspired" by any particular 12 string sounds or artists, but I have caught on to some Byrds/folksy licks along the way. Mostly just trying to adapt my own playing to a twelve-string mindset.
I have a '68 Yamaha made in Japan slot-head twelve that came to me with issues (half-inch action among them.) I shimmed the truss rod nut, shaved the saddle and ramped the bridge. It is now what to me is "high" action (3mm or so?) but maybe more like normal for most people. Using silk/steel Ernie Balls. The top is somewhat bellied but the worst contributing issue is the neck requiring a reset. Still it sounds great, esp. as it's ply; very loud and sensitive, very smooth, jangly (stringy?) , although high-string chords "glass over" a bit when you strum hard. It also is very lightweight despite a HUGE neck.
Also have a Mitchell MD100S12 that's the polar opposite; almost too warm/rich/woody for (stereo)typical 12 string sounds, but a great guitar on its own with an easy neck. Much more complex high end but mids and attack can maybe become a bit bouncy/phlegmy for me. It's also quite heavy (though very sturdy through the years, I doubt it'll warp or break after all it's been through.)
I love Taylors so far as I look toward more 12 strings, do want to try a Breedlove or maybe a Seagull. Might start really making them my "thing" at this rate.