shadowfire90
New member
This is an easy question I'm sure and I figure I'll get a quicker answer here. With 1950s wiring how the capacitor is hooked up between the two pots is there a right or wrong combination for the tapers of the pots. I base my 1950s wiring off of a very old seymour duncan diagram back when it was black and white images.I noticed how the pots are all A500k and never questioned this until today.
1) - How much of a difference if any would there be for instance using a linear tone pot (B500k) instead of the usual A500k the diagram suggests or is it really only affecting the volume control
2) - what would happen if both were B500k - I know linear pots are already very predictable but say I want that extra punch as premier guitar describes it with 50s wiring would it change how the pot reacts as I turn the lets say volume down at all.
This is the diagram I've based it off of
View attachment 101254
1) - How much of a difference if any would there be for instance using a linear tone pot (B500k) instead of the usual A500k the diagram suggests or is it really only affecting the volume control
2) - what would happen if both were B500k - I know linear pots are already very predictable but say I want that extra punch as premier guitar describes it with 50s wiring would it change how the pot reacts as I turn the lets say volume down at all.
This is the diagram I've based it off of
View attachment 101254