Black Pearl
New member
I'm building my first electric guitar (have already made 4 acoustics) and was looking for advice:
Build:
semi hollow mahogany body (or Sipo)...possibly alder...all depends on what the lumberyard has
mahogany/walnut laminated neck or maple walnut laminated.....i have both blanks finished and standing by.
leaning towards an ebony fret board...but still undecided
22 stainless steel frets....which I've oddly have fallen in love with
The intent is to build a versatile sounding studio session guitar that i will be traveling with and use to occasionally perform live with many unknown musicians.... so I'm looking for as much tonal variation as i can get away with in one guitar. I don't have room to take multiple guitars this time around.
I was thinking of using a three pick up arrangement:
Neck: 'bucker
Mid: P90
Bridge: 'bucker
neck and bridge 'buckers would have a coil tap each
I'd like to add a switch that turns off the 'bucker circuit off and the P90 circuit on cause I don't see myself blending the two....or maybe I should give myself the option to blend all 3 together. Thoughts?
main question is- will the p90 sound good on its own mounted between the two humbuckers?
This won't be my last guitar build (planning on an es 335 build and strat clone beastly thing when I get back) so I'm willing to forgo true pure "traditional" guitar sounds on this one. The main intent is to build something that's fun to play, sounds good, that will give me enough tonal variation to adapt to the many types of music and musician styles I will come across on this trip.
At home, I'm a Gretsch man and own a Duo Jet and a Tennessee Rose with Hi-Lo trons....which I love and use for most my own music and general jamming. I have access to a cousin's large collection of Rickenbackers, various Gibsons, Strats, and other oddities he's collected over the years; I'm lucky enough to borrow from and indulge on his collection from time to time.
I'm at the point in the build where I need to purchase pick ups very soon. Any comments, suggestions, or constructive criticisms are welcome
Thanks!
Build:
semi hollow mahogany body (or Sipo)...possibly alder...all depends on what the lumberyard has
mahogany/walnut laminated neck or maple walnut laminated.....i have both blanks finished and standing by.
leaning towards an ebony fret board...but still undecided
22 stainless steel frets....which I've oddly have fallen in love with
The intent is to build a versatile sounding studio session guitar that i will be traveling with and use to occasionally perform live with many unknown musicians.... so I'm looking for as much tonal variation as i can get away with in one guitar. I don't have room to take multiple guitars this time around.
I was thinking of using a three pick up arrangement:
Neck: 'bucker
Mid: P90
Bridge: 'bucker
neck and bridge 'buckers would have a coil tap each
I'd like to add a switch that turns off the 'bucker circuit off and the P90 circuit on cause I don't see myself blending the two....or maybe I should give myself the option to blend all 3 together. Thoughts?
main question is- will the p90 sound good on its own mounted between the two humbuckers?
This won't be my last guitar build (planning on an es 335 build and strat clone beastly thing when I get back) so I'm willing to forgo true pure "traditional" guitar sounds on this one. The main intent is to build something that's fun to play, sounds good, that will give me enough tonal variation to adapt to the many types of music and musician styles I will come across on this trip.
At home, I'm a Gretsch man and own a Duo Jet and a Tennessee Rose with Hi-Lo trons....which I love and use for most my own music and general jamming. I have access to a cousin's large collection of Rickenbackers, various Gibsons, Strats, and other oddities he's collected over the years; I'm lucky enough to borrow from and indulge on his collection from time to time.
I'm at the point in the build where I need to purchase pick ups very soon. Any comments, suggestions, or constructive criticisms are welcome
Thanks!