I have been using the C8 in my Gibson SG w/ a factory floyd with 50's wiring so I can back off the volume to clean up, etc. -- lot's of interesting tonal possibilities just in adjusting height and screw positions -- there's a single coil in the fingerboard position as a well as a coil tap push-pull on a 500K tone control for the C8....
I have a 500K pot on the volume too and find within a narrow range, say, between 7 ~ 9, a dramatic change in nuance in the 50's wiring effect ...
I spoke to MJ the other day and mentioned this in passing, I thought she agreed that a 250 pot would make that narrow band broader, say, 4~9, to cover the same range of tonal nuances, etc. -- did I get tis right?
Anybody here using s C8 like this that can offer experiences?
I have a 500K pot on the volume too and find within a narrow range, say, between 7 ~ 9, a dramatic change in nuance in the 50's wiring effect ...
I spoke to MJ the other day and mentioned this in passing, I thought she agreed that a 250 pot would make that narrow band broader, say, 4~9, to cover the same range of tonal nuances, etc. -- did I get tis right?
Anybody here using s C8 like this that can offer experiences?