gregory
New member
I have my Strat torn apart using a spare pickguard as a test bed for some experimentation and decided to have a look at the stock pickups while I was at it. They have non-staggered A5 rods and a weaker wind than the pre-CBS models.
I never cared for the bridge pickup, but the DCR @6k suggests it's possibly a bit hotter than the neck and middle @5.7k. As many of you probably already know, the bridge and neck of this era are reverse polarity compared to most Duncans.
I thought it might make sense to move the bridge pickup to the neck and the neck pickup to the middle and put my SSL-2 reverse polarity in the bridge, giving me 6.5k/5.7k/6k (B/M/N).
I also have an SSL-6T standard polarity lying around which I could put in the bridge and buy an SSL-2 standard polarity and put the SSL-2 reverse polarity in the middle. However, I want to get skanky quack in position 2 instead of the thicker duller quack produced by the combination of an SSL-6 and an SSL-2. I thought about using the SSL-6's tap but it really thins out the pickup, making it sound nothing like an SSL-2.
Now maybe the tapped SSL-6 would work better with the 6k Fender pickup in the middle instead of the SSL-2. With any luck it would provide the nice position 2 quack that's similar to what I'm used to hearing with the stock pickups? With a 5WSS I could automatically tap the SSL-6 in position 2 and leave it full in position 1. I'd still probably want to buy a standard polarity SSL-2 for the neck to better compliment the SSL-6. Combining the weaker middle with an SSL-2 in the neck should provide really good position 4 quack, perhaps better than a pair of SSL-2s, and it would likely better match the quality and lever of the quack in position 2 using the tapped SSL-6.
...or I can dump all true singles and continue in the direction I've been going which has so far been extremely successful. The thing is this is the only American Strat I have and part of me wants to keep it a bit more vintage even if I'm copping great vintage-style tones with my more modern and versatile approach.
Your thoughts?
I never cared for the bridge pickup, but the DCR @6k suggests it's possibly a bit hotter than the neck and middle @5.7k. As many of you probably already know, the bridge and neck of this era are reverse polarity compared to most Duncans.
I thought it might make sense to move the bridge pickup to the neck and the neck pickup to the middle and put my SSL-2 reverse polarity in the bridge, giving me 6.5k/5.7k/6k (B/M/N).
I also have an SSL-6T standard polarity lying around which I could put in the bridge and buy an SSL-2 standard polarity and put the SSL-2 reverse polarity in the middle. However, I want to get skanky quack in position 2 instead of the thicker duller quack produced by the combination of an SSL-6 and an SSL-2. I thought about using the SSL-6's tap but it really thins out the pickup, making it sound nothing like an SSL-2.
Now maybe the tapped SSL-6 would work better with the 6k Fender pickup in the middle instead of the SSL-2. With any luck it would provide the nice position 2 quack that's similar to what I'm used to hearing with the stock pickups? With a 5WSS I could automatically tap the SSL-6 in position 2 and leave it full in position 1. I'd still probably want to buy a standard polarity SSL-2 for the neck to better compliment the SSL-6. Combining the weaker middle with an SSL-2 in the neck should provide really good position 4 quack, perhaps better than a pair of SSL-2s, and it would likely better match the quality and lever of the quack in position 2 using the tapped SSL-6.
...or I can dump all true singles and continue in the direction I've been going which has so far been extremely successful. The thing is this is the only American Strat I have and part of me wants to keep it a bit more vintage even if I'm copping great vintage-style tones with my more modern and versatile approach.
Your thoughts?