Back in the days when I played grimy, filthy technical death metal, I would actually boost the mids slightly.I use the EQ to find "my voice" and then adjust the gain to suit the style. And I NEVER EVER EVER mid scoop, unless I'm playing grimy, filthy death metal, which is rarely.
Everything:
gain- 7(varies on style) eq-10/10/10.
its been the absolute best way to run my amp. Not for everyone but noone complains about not cutting through the mix.
Back in the days when I played grimy, filthy technical death metal, I would actually boost the mids slightly.
Then again, my grimy technical death metal band mates and I preferred it when the guitars made discernable notes, so we were pretty weird.
Lol I used to dime the EQ on my Jet City too when I had it![]()
absolute best way to run my amp. Not for everyone
Peavey Bandit? Is this a joke?
I like this guys lessons (long time subscriber) but I just couldn't get past the Peavey and suggestions for a Kirk Hammett tone... doesn't he know that the rhythms come from James only?
Would be a good start to set your amp up if you were born without ears and have never played guitar before.
If you can't get a good tone on a Peavey Bandit, it's not the amp's fault...![]()
I always thought that the 2x12 Classic was a noble amp... always sort of wanted one in the 80's and would feel a little funny when I stood next to one. No other Peavey made me feel that way.
Also, I am not 'cutting through the mix'. I simply STAY in my boundries of the mix. The whole 'cut through the mix' thing sound like people compete with other instruments to get heard. If you simply stay in your range you won't be too far back or too up front. I let the bass and kick drums handle lows, the 3 guitars handle the 'middle' mids and 'high' mids, my vocals tend to naturally handle lower middle and bass ranges - even when singing high notes -, the snare finds its own pocket in the mids, it is a pretty distinct sound, and cymbals/other percussion are in the high ranges along with possibly one or two guitars max.
A band should work together and complement in sound, not compete.