I would say that it is all personal preference, but I keep my active pickups backed off of the strings more than my passives
The pickups need to be in the sweet spot = where they sound and feel best.Does anyone know if active pickups need to be as close to the strings as passive pickups?????
I am sorry, but what you're trying to say is far from true.active pickups (...) sounds very similar in every guitar.
So you can get an expensive neck a cheap body and active Pickups and you saved the money for the body
well passive pickups can do metal distrotion to jazz clean (with dialing the potis) sound warmer
active pickups are mostly used for metal, they don't get muddy because they have not much bass. more output and very fast attack
but sounds sterile and cold and sounds very similar in every guitar.
So you can get an expensive neck a cheap body and active Pickups and you saved the money for the body
well passive pickups can do metal distrotion to jazz clean (with dialing the potis) sound warmer
active pickups are mostly used for metal, they don't get muddy because they have not much bass. more output and very fast attack
but sounds sterile and cold and sounds very similar in every guitar.
So you can get an expensive neck a cheap body and active Pickups and you saved the money for the body
Nearly every myth about active pickups is represented here.
I actually find my Blackouts surprisingly versatile. You just need an amp with a lot of headroom and know how to EQ the thing. Yeah, they're really hot and aggressive, but they are also really organic and dynamic. That being said, I do plan to switch to the EMG 57/66 set in the near future.
The 57 is a nice pickup, very dynamic without losing your picking nuances. I was surprised just how much more output it had compared to the 81X which is also a great pickup.
This is so NOT TRUE!!! First off, actives have been use by MANY great guitarists in nearly every genre of music besides metal
Nearly every myth about active pickups is represented here.
So it has more output? I had heard that it was actually less hot than the 81 and Blackouts. That was a big part of the reason I want it.
yes, a lot more..rumour is it was a hold over form the JH set, supposedly EMG felt it sounded better but waited a few years to introduce them
On my USB interface, I have to dial the input knob from 7 to 5 to keep unity gain with the 81X.
yes, a lot more..rumour is it was a hold over form the JH set, supposedly EMG felt it sounded better but waited a few years to introduce them
Do you still think that it's more versatile than the average active? A big part of the reason that I'm switching is that I want something that can handle cleans and mid-gain tones better than the Blackouts, as well as something that's more dynamically sensitive.
P.S. I can't remember where I read it, but someone from EMG came out and said that the 57/66 set was actually completely separate from the Het Set from the beginning. They are definitely really similar, though.
Is it weird that I hear a lot of Jason Becker-ish phrasing in her playing?yes, it is more versatile than the average active and it is very dynamic but I don't feel that it's far superior to the 81X. Both have good cleans and the 57 is a bit warmer. It's been a while since i used the Blackouts, but i do remember NOT liking the AHB1. You can hear the set in use during this video.
yes, it is more versatile than the average active and it is very dynamic but I don't feel that it's far superior to the 81X. Both have good cleans and the 57 is a bit warmer. It's been a while since i used the Blackouts, but i do remember NOT liking the AHB1. You can hear the set in use during this video.