i'm gonna say . I'M STUBBORN. i never rested until got that sound back.
few month back i had to part with Ibananez as200 and ( super 58's-A3) along with it' i found 1992 Korean Aria Pro II TA80 for very no£ing . as soon as i played it i recognized it's tonal ability ( all maple) . got 59's . didn't like A5's . too strong for my
taste. tried weak magnets . first A4 which is little stronger then A3-Weakest(there's ongoing dispute A4 VS a3 strength-wise ) both A3 and A4 i have are rough cast , tested them both A3 clearly is weakest .
first threw a4's in 59's -very articulate , i thought i'd keep them in for long time...
after a month of playing them, before confirming that that's it ... decided to test extensively A3! I cant find words to describe how sweet and articulate they are. mids are especially sweet in very particular way. awesome MIJ Ibanez. as200 vs MIK Aria ta 80 ? i'm not sure which one sounds best now. i always record test samples before part with my axes.
A3 CONSIDER ME HUGE FAN!
few month back i had to part with Ibananez as200 and ( super 58's-A3) along with it' i found 1992 Korean Aria Pro II TA80 for very no£ing . as soon as i played it i recognized it's tonal ability ( all maple) . got 59's . didn't like A5's . too strong for my
taste. tried weak magnets . first A4 which is little stronger then A3-Weakest(there's ongoing dispute A4 VS a3 strength-wise ) both A3 and A4 i have are rough cast , tested them both A3 clearly is weakest .
first threw a4's in 59's -very articulate , i thought i'd keep them in for long time...
after a month of playing them, before confirming that that's it ... decided to test extensively A3! I cant find words to describe how sweet and articulate they are. mids are especially sweet in very particular way. awesome MIJ Ibanez. as200 vs MIK Aria ta 80 ? i'm not sure which one sounds best now. i always record test samples before part with my axes.
A3 CONSIDER ME HUGE FAN!
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