Re: any other basic clean BF twin style amps out there?
Quencho092 said:
what's the diff between black and silver besides power? I'm pretty sure the BF amps have a smoother more pleasing breakup? And the components in BF amps were much higher quality right?
The thing too, is that a BF Twin sounds really sweet at 4-6 on the volume (scorching loud!) because it's closer to breakup than a 100 watt or higher silverface. Eventhough it's still squeaky clean, the tubes are able to deliver more character than when they're not even close to working hard in a SF.
..wow, I thought for sure someone would chime in with the answer to this one....apparently not... so...
The Blackface (BF) era of the Fenders are considered by many, including myself, to be the absolute finest amps ever made... They were simply designed and their tone is the benchmark for "clean" tones...(you will find few who will disagree..) Fender's of this era are predominantly known for the "inability to overdrive" as stratdeluxer97 stated....(the only exception would be the Super Reverb..). Keep in mind, when these amps were made, "distortion" was considered a very bad thing... "Lower quality" amps distorted at the drop of a hat, usually really badly... and Fender was all about "very loud cleans" and they succeeded in this area (obviously) quite well!
The Silverface (SF) amps capitalized on the BF's "strengths" and most were fitted with higher wattage plate resistors for the 12ax7's...(which was an improvement), but in the process of trying to "fix what wasn't broken" they also decided to attempt to improve the design by redesigning the bias supply configuration...(mistake #1) and the "mass production approach" of thinking the original design was so stable that the care taken in the BF Fender's was disposable.....(basically someone, somewhere decided that the circuit was just connect this to that and it's guaranteed to work!... mistake #2)
So, the SF series were nothing more than proven designs wired so poorly, that almost anyone who could solder built them.. The results were so "varied" that Fender engineering had to come up with a way to insure parasitic oscillations and the like were eliminated to insure "reasonable consistency" while the amps were being mass produced...
The result was groud wire's wrapped around bundles of lead wire's to insure "field integrity" or more simply the easiest way to stabilize a circuit without taking the time to "isolate" the internal wires like the BF's did.
In the end, the SF's almost...(note almost!) were fully functional, but lacked the tone the BF series had...because so many "safeguards" were put into place to accomodate really bad "lead dress" (the way the wires are "arranged" that go from the tube sockets to the turret board...I know it seems really simple....but it is crucial!)
The vast majority of SF Fender's are great amps too, but on an individual basis....some are great, most are decent, some never left the factory working right in the first place......
Fwiw....
Jeff Seal