Are Line 6 Flextone I's rare?

Dankerella

New member
I picked the head version up awhile back, and dig it. Some guys told me they like the sound of it better than the later models. I check for them on Ebay every so often, but never hardly see it. Are they really better than versions II and III? Are they considered rare?
 
Re: Are Line 6 Flextone I's rare?

Dankerella said:
I picked the head version up awhile back, and dig it. Some guys told me they like the sound of it better than the later models. I check for them on Ebay every so often, but never hardly see it. Are they really better than versions II and III? Are they considered rare?

I wouldn't be suprised, Jolly has the Line6 AX212? i think thats what it is called and it sounds really good. Hell seymour was using a Flextone 2 at the jam and he sounded good.
 
Re: Are Line 6 Flextone I's rare?

Bones said:
Hell seymour was using a Flextone 2 at the jam and he sounded good.

Probably knows a thing or two about getting a good tone. :)
 
Re: Are Line 6 Flextone I's rare?

Personally, I dont think the Flextone 1's were anything to write home about. I think the II's and III's have alot better tone.
 
Re: Are Line 6 Flextone I's rare?

Bones said:
I wouldn't be suprised, Jolly has the Line6 AX212? i think thats what it is called and it sounds really good. Hell seymour was using a Flextone 2 at the jam and he sounded good.


If you're looking for an AX212 there;s a samll shop here ihn town that has a nice, clean used one. I'll get you the details if you want.
 
Re: Are Line 6 Flextone I's rare?

The Head version came out after the original Flex combos. And to my recollection there were maybe 500 of them made.

I had a Purple Flextone 1 Head that Line 6 made for me. I really liked the Flex I HD. I ran it through a vintage baskeweave Marshall 4x12 and it killed. I had some killer patches for it. Sort of miss it. The downside to them was the channel switching was much slower than the Flex II and III models. Reason being is it reloaed the whole patch in memory as opposed to later versions only loaded in sections of a patch that may have changed. Plus probably faster chips too.

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Re: Are Line 6 Flextone I's rare?

I love my flextone III combo. I patch it via/midi cable and voila!! Unlimited options.


The FBV floorboard is a must 32 presets the possibilites are amazing.
 
Re: Are Line 6 Flextone I's rare?

I was under the impression that a vital difference between the 1 and others was that the 1 didn't have XLR outs. That purple head does, though. Was that a 1 made to your specs, Institute?
 
Re: Are Line 6 Flextone I's rare?

No GearJ. The HD's did have XLR outs. They were the first ones. They were okay, but better than nuthin. They also had 2 modes of 4x12 cab sim or 2x12 cab sim depending on what you plugged into. It also had paralell/series FX routing within it, and a MIDI out only to trigger other devices.
 
Re: Are Line 6 Flextone I's rare?

Personally, I dont think the Flextone 1's were anything to write home about. I think the II's and III's have alot better tone.

I play the Flextone II XL. The tone controls, effects, and huge array of amps make it a contender. I owned a Mustang I v.2 (Fender) and it has some nice features. The tape echo was studio quality. But after playing guitar on if for 6 months, and writing some damn good guitar riffs and solos. I surely needed to switch out to a bigger amp.

I bought a Bugera 333-222 infinium, or whatever it is, on a whim. It was huge mistake. My gut instinct is never to listen to sales people. But I called on the phone and talked a sales guy from Chuck Levins in Wheaton (Go Joan Jett, she's from Wheaton, MD) he said 'No we don't carry Bugera. Guitarist hate Bugera." "I said really. I don't think so"

Sales people are correct once every one million years. So if your guitar sale person says that the dinasaurs are going to die out. I always say "Yeah Right"

My response sounds logical. But this time the dinasaurs died out.

The Bugera 333-222 did suck. It was too loud, no nuances, and was too sizzley. All the great synthy, liquidy, violony fluid aspects of playing legattos, sweep scales, arpeggiations, scream notes, were dude gone with Bugera.

It was a lead guitar players nightmare. Bugera shot me into the 1963, and thought I was the white Jimmy J Hendrix. Even EVH states "I wasn't trying to sound like Hendrix."

So I returned that amplifier that was damned in the guitar players hell. That's right. Back to Musicians Friend. "Your refund will be on your credit card in 3-5 business days."

Meanwhile I had time to weep. When I stopped crying, I looked up at my laptop.

Stopped crying. (LOL)

Then I started to play different guitar demos. Lots of em. Started studing the different preamps. Started to check out the tube configuraion. Started to want to buy American.

Lets face Soldano, Fender, Line 6, Mesa Boogie, Audix, Shure, they rock. They're american. Their products are higher quality. Same with Vox, and Marshall. Those are proven great for hard rock, and metal, and rock n roll, for that matter pop.

So I played about 100 hrs of demos. Then learned. I found my amp. The Flextone II XL.

The models are outstanding. They have mesa boogie Rectifier, Double Rectifier, VOX 15 AC, 30 AC (without headroom Edges does of U2), dumbel (Rare and expensive dual distortion/clean SRV baby), Marshall Plexi 68, Jazz Chorus 120, and of Soldona 100 SLO my favorite amp of all time.

So to get back to Flextone I, it may have been a good amp. But I suspect that II, III had some improvements. My amp is over 15 years yound. It shows almost no sign of aging. The sound is amazing.
 
Re: Are Line 6 Flextone I's rare?

The good/ bad about Line 6 is they haven't really progressed in the quality of the tone in their amp models ... The latency has improved to the point they're actually playable now, but the new models don't sound better than the first gen models..
 
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