Audient ID 4 Test 2 w/ Charvel Traditional pro : Slow, relaxed & easy...

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....morphs into festival of whammy ...as boredom creeps in

So all's well that end's well :bigthumb:

Bottom line the Audient ID 4 is one sweetass sounding interface. Would'nt say it's neutral 'cause it definitely colors the sound , but in a very pleasant (warm/analog-ish) way :bigthumb:

 

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More slow & easy shit with my Audient ID4 interface: Neck pup on my Grote Semi Hollow (No whammy )

 

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Shred-time before bedtime w/ my Cort XI1 QM & Audient D4.

Got to say the best thing about nice new gear is it makes you want to play more. :bigthumb:

 

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Oops forgot to mention, they're all played through the same random stock patch/IR/settings as each other. Just plugged in different guitars for each of the jam's...


This one..

^^ That's another thing I've noticed about the Audient ID4 compared to my old Behringer UMC202HD. It really seems to let let the difference in tone/character of the guitar/pickups shine through a lot more in recordings. :bigthumb:

With the Behringer the difference always seemed a bit less pronounced somehow

Anyway, that's a good thing :bigthumb:

 

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Time to step things right up into the cybersphere \m/

"Cybersexual Sinergetic Synods" (Purple Kramer Baretta Sp. w/ Audient ID4)

 

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^^ That was with the Randall T2 "tone capture" patch I made with my T2 for my Mooer GE300 modeler, not the stock patch I posted above that I'd used for the other three video's. T2's got a sharper yet slightly spongier/chewier tone that suits the tune (Voivod meets Buckethead?) ...and it's got great (feel/compression/clarity) for tapping :bigthumb:


Also my first recording with the Kramer since I snipped off the treble bleed cap. Did'nt make a massive difference to the tone tbh. Did'nt even change the volume pot taper. It's still like an on/off switch. Got to say I was expecting more :laugh2:

 

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Something chill ..Just for the heck of it :lmao:

Recorded w/ the ID4 :bigthumb:

Guitar's my Grote Semi -hollow...