Hiwatts and Gibsons
New member
Hi, I am a confirmed vintage style pickup addict, and love a few vintage style humbuckers, particularly Filtertron types having owned and played through a TV Jones Supertron, Powertron, and Magnatron.
However my abiding love truly goes to single coils in general. Their clarity, solid fundamental, extended frequency response, and sense of depth and "air" far outstrips almost all humbuckers in my experiences. The sole exceptions being the above mentioned Supertron and Magnatron, both of which come the closest of any humbuckers I ever played through to capturing the tonal qualities I love in a good single coil.
For single coils I have owned and played through...
Original run Gold Lace Sensors I swapped into an '87 Americam Standard Stratocaster
Dimarzio Designed single coil in a '91 Ibenez 540 Sabre Ltd
Stock Gibson P90's in an '85 Gibson Explorer III
BKP Supermassive P90 I swapped into the bridge position on the above Explorer III
Stock Gibson P90's in two Gibson LP Specials
Seymour Duncan Custom Shop Gibson A5 Staple Soapbar clone I swapped into the neck position on one of the Gibson LP Specials
BG Pure 90 I swapped into a '61RI 2011 SG Std in the bridge spot, and a second swapped into the bridge position of an Gibson USA Adam Jones LP Standard
Seymour Duncan Custom Shop Dynabucker single coil I swapped into the neck position on the Adam Jones LP standard
TV Jones T-Armond I swapped into the neck position on the same '61RI SG Standard
Gibson Alnico 5 Soapbars in a Gary Clark SG
Seymour Duncan Vintage P90 wound on the old Gibson machinary they purchased I swapped into the bridge on the above Gary Clark SG
Lollar P90's in an Eastman 330 Copy
Lollar Gibson A5 Staple clone and Lollar Goldfoil clone I swapped into a third LP Special, a Guitar Center Exclusove with Arctic White finish and an Ebony fretboard to replace the stock P100's
In each case of the Seymour Duncan offerings listed above they first physically evidenced a quality of construction only equalled in my opinion by the TV Jones offerings. Whereas the Lollar Staple clone versus the Duncan Staple favors the Duncan both in keeping true to the original Gibson design, and the heft/feel of the pickup. This says nothing negative about the Lollar pickups' tones though. Each and every one of them sounds utterly fantastic and on par with all the exceptional pickups I have played through.
Most importantly the Duncans have never failed to give me the exact tones I was aiming for in each of the guitars I have installed them in. The Duncan Staple Clone in particular is tied with the TV Jones T-Armond as the most gorgeous sounding neck pickup I have ever had the joy of playing through, and the Vintage P90 in the Gary Clark SG was the epitome of the perfect P90 tone to my ears, with a fat bottom end punch, toothy snarl and grind in the mids and the perfect blend of crisp and smooth on the highs when the volume is rolled back, with a wicked bite when played overdirven or with distortion and fuzz.
Kudos to Duncan for their class act in providing incredible quality that meets or exceeds many so called boutique pickup builders at prices accessible to most players. In a world with $400 PAF clones and $300 P90's I will choose Seymour Duncan's reasonably priced top tier quality offerings over most others whenever they provide a model that both fits my routing requirements, and pickup design type I am in need of.
However my abiding love truly goes to single coils in general. Their clarity, solid fundamental, extended frequency response, and sense of depth and "air" far outstrips almost all humbuckers in my experiences. The sole exceptions being the above mentioned Supertron and Magnatron, both of which come the closest of any humbuckers I ever played through to capturing the tonal qualities I love in a good single coil.
For single coils I have owned and played through...
Original run Gold Lace Sensors I swapped into an '87 Americam Standard Stratocaster
Dimarzio Designed single coil in a '91 Ibenez 540 Sabre Ltd
Stock Gibson P90's in an '85 Gibson Explorer III
BKP Supermassive P90 I swapped into the bridge position on the above Explorer III
Stock Gibson P90's in two Gibson LP Specials
Seymour Duncan Custom Shop Gibson A5 Staple Soapbar clone I swapped into the neck position on one of the Gibson LP Specials
BG Pure 90 I swapped into a '61RI 2011 SG Std in the bridge spot, and a second swapped into the bridge position of an Gibson USA Adam Jones LP Standard
Seymour Duncan Custom Shop Dynabucker single coil I swapped into the neck position on the Adam Jones LP standard
TV Jones T-Armond I swapped into the neck position on the same '61RI SG Standard
Gibson Alnico 5 Soapbars in a Gary Clark SG
Seymour Duncan Vintage P90 wound on the old Gibson machinary they purchased I swapped into the bridge on the above Gary Clark SG
Lollar P90's in an Eastman 330 Copy
Lollar Gibson A5 Staple clone and Lollar Goldfoil clone I swapped into a third LP Special, a Guitar Center Exclusove with Arctic White finish and an Ebony fretboard to replace the stock P100's
In each case of the Seymour Duncan offerings listed above they first physically evidenced a quality of construction only equalled in my opinion by the TV Jones offerings. Whereas the Lollar Staple clone versus the Duncan Staple favors the Duncan both in keeping true to the original Gibson design, and the heft/feel of the pickup. This says nothing negative about the Lollar pickups' tones though. Each and every one of them sounds utterly fantastic and on par with all the exceptional pickups I have played through.
Most importantly the Duncans have never failed to give me the exact tones I was aiming for in each of the guitars I have installed them in. The Duncan Staple Clone in particular is tied with the TV Jones T-Armond as the most gorgeous sounding neck pickup I have ever had the joy of playing through, and the Vintage P90 in the Gary Clark SG was the epitome of the perfect P90 tone to my ears, with a fat bottom end punch, toothy snarl and grind in the mids and the perfect blend of crisp and smooth on the highs when the volume is rolled back, with a wicked bite when played overdirven or with distortion and fuzz.
Kudos to Duncan for their class act in providing incredible quality that meets or exceeds many so called boutique pickup builders at prices accessible to most players. In a world with $400 PAF clones and $300 P90's I will choose Seymour Duncan's reasonably priced top tier quality offerings over most others whenever they provide a model that both fits my routing requirements, and pickup design type I am in need of.
Last edited: