weepingminotaur
Well-known member
Hey folks. Within a few weeks, I will have a set of Black Winters from one guitar I own to throw into another guitar (which I haven't yet purchased). Until this point, I've had the Winters wired for coil-splitting via push-pull pots, which I have really enjoyed. My question, for you Winter aficionados out there, is this: what wiring schemes have given you the best Winter tones, and for what genres of music or bands?
Which of these would you choose, and why?
1. Coil-splitting: HH (bridge) / H (bridge split) / HH-HH or H-H (bridge and neck, full or split depending on the push-pull pot status) / H (neck) / HH (neck)
2. Five-way switch: HH (bridge) / HH (bridge and neck split) / HH-HH (bridge and neck full) / HH (neck in parallel) / HH (neck)
3. Something else.
I'm just curious to get your thoughts. Obviously the BW bridge is great for all forms of metal, but given the overall versatility of Black Winter pickups, I want to get as much value out of them in other positions and for other genres of music. My impulse is to go coil-splitting. I just want to make sure I'm not overlooking anything that could be useful to me.
Which of these would you choose, and why?
1. Coil-splitting: HH (bridge) / H (bridge split) / HH-HH or H-H (bridge and neck, full or split depending on the push-pull pot status) / H (neck) / HH (neck)
2. Five-way switch: HH (bridge) / HH (bridge and neck split) / HH-HH (bridge and neck full) / HH (neck in parallel) / HH (neck)
3. Something else.
I'm just curious to get your thoughts. Obviously the BW bridge is great for all forms of metal, but given the overall versatility of Black Winter pickups, I want to get as much value out of them in other positions and for other genres of music. My impulse is to go coil-splitting. I just want to make sure I'm not overlooking anything that could be useful to me.