Chambered vs. solid

SJ318

New member
Hi,
Theoretically, if you had the EXACT wood (mahog. bass, maple, whatever) cut Strat-like, would the chambered one be brighter to the ear unplugged? Or not. Each one identical in all aspects of the wood.
Thanks for any input.
Steve Buffington
 
Re: Chambered vs. solid

Do you mean weight-relieved like some Les Pauls or chambered like a 335, thin line Tele, etc?


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Re: Chambered vs. solid

Impossible to tell.

Wood is not homogeneous - its not like a maths problem where you could start with say a steel casting which has a known makeup - and be able to predict based on an algorithm how much is left and its exact properties. You could get rid of the heavier parts of the wood, or the lighter ones. Or the part that would have made that guitar a dog, or left the part that makes it a dog.
 
Re: Chambered vs. solid

I've heard chambered bodies sound brighter than their solid counterparts, and some have more mids. It is really impossible to tell as no 2 pieces of wood are exactly the same. I do know that some chambered bodies will really unbalance a guitar, so try it out first.
 
Re: Chambered vs. solid

Not sure as I've never had 2 bascially identical Strats with the difference being one was chambered and the other solid.

But I did build/assemble a Semi-Hollow Strat, it was noticeably louder and more full sounding unplug than any other Strat I've played, not brighter...big disclaimer, it was a Mahogany Strat with a Sitka Spruce top (F hole too) so not your traditional Strat by any means.
 
Re: Chambered vs. solid

in my unscientific experience it seems there is more mid clarity in a heavily chambered body
 
Re: Chambered vs. solid

I know every guitar is unique so this isn't always true, but IMOE with fully solid and chambered Les Pauls and a solid vs Thinline Telecaster Deluxe, the solid bodies were brighter on the highs and tighter in the lows, where the chambered were smoother in the highs and rounder/looser in the low end. Kind of like an A5 vs an A2 pickup, or less drastic like an A5 vs A4
 
Re: Chambered vs. solid

Hi,
Theoretically, if you had the EXACT wood (mahog. bass, maple, whatever) cut Strat-like, would the chambered one be brighter to the ear unplugged? Or not. Each one identical in all aspects of the wood.
Thanks for any input.
Steve Buffington
Steve, if you're not wood- and chamber-specific, that's a question impossible to answer.

If you could try A/B an ES Les Paul and a normal one, then you'll have your answer.

HTH,
 
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Re: Chambered vs. solid

I have an Epiphone Florentine and a Gibson Studio
While it's not a good comparison
The Epi is mahogany with a maple cap and F holes
The Studio is chambered swamp ash

My Florentine is no brighter than the Studio
I do notice a more mid heavy 335 like tone
An airy sound.

Like I said maybe not the best example
 
Re: Chambered vs. solid

solid bodies were brighter on the highs and tighter in the lows, where the chambered were smoother in the highs and rounder/looser in the low end.

This lines up with my experience.

Solid bodies had more snap and a more aggressive attack. Chambered bodies had less attack and a more mellow response.
 
Re: Chambered vs. solid

Thank you,
Those responses are enough for me to understand. The thing that seemed to be missed a couple times was, of course no two woods of the same kind will ever be the same tone exactly, but that was my intro: "Theoretically" "Exact". But that's ok, the broad overall opinion is that solid is snappier, or more high end sounding than chambered. I did mean chambered and NOT weight relieved.
I did say chambered also.
edwuld-
That green LP Studio, with the two pots and 1 switch, That is the Gibson Studio? It looks beautiful, streamlined, like a cut down racing car. I really like it. Is that still made? With the chambered Swamp Ash Studio, is there any way you could tell me how much it weighs? I really do want to know. I just love the layout. I really haven't been paying attention, as I would have looked at that hard, a possible purchase for my early golden years.
You fellows and ladies are such a great resource for bouncing ideas around.
Steve Buffington
 
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Re: Chambered vs. solid

Remember that if you go a chambered guitar it needs a cap. A strat with an arm contour and chambered is not going to be likely unless you find a luthier with a steam/vaccuum press - and even then its potentially impossible as it depends on how something like a 1/4" cap bends.

Or go for something like Paulownia - which is probably going to be lighter than any chambered guitar and be solid.
 
Re: Chambered vs. solid

Mr Buffington
The Custom Studio is indeed still made
In several colors
Look on Amazon

Mine is reptile green
They have a transparent red
Whiskey gold
Blue denim
And transparent black

I also like the switch placement
And master tone and volume

The swamp ash and maple are extremely light
Weighs about 7.5 lbs

Slightly more than my RG2 hardtail basswood body Ibanez
About the same as my chambered Florentine and a bit less than my MIM strat
 
Re: Chambered vs. solid

Thanks ehwuld, AlexR,
I did have the finest lutherie in a 60 mile radius do just that with the cap. Say, I wonder, "in GENERAL" is basswood as light or lighter than Poulonia. Is basswood likely to have more high end than Paulonia? Remember - these are in GENERAL a "I bet you 5 bucks" kind of question, so no need for what type of music I play, amp, pedals, etc.
ehdwuld - for some reason that guitar is just striking, very cool. Can't say why. Maybe the way better layout. I don't supposed it comes with a push/pull coil splitter? Probably not.
Someone was nice enough to post a wiring sceme for a simple one, (Lt. Kojak, AlexR, I'm sorry if I got it wrong) but it would be too much twisting and bending on my part, Dr.'s orders.
Thank you guys,
Steve Buffington
 
Re: Chambered vs. solid

Remember that if you go a chambered guitar it needs a cap. A strat with an arm contour and chambered is not going to be likely unless you find a luthier with a steam/vaccuum press - and even then its potentially impossible as it depends on how something like a 1/4" cap bends.

Or go for something like Paulownia - which is probably going to be lighter than any chambered guitar and be solid.

My latest builds are chambered with belly and forearm relief. Maple cap. NO bending of the cap required...it's contoured. I design the chambering with the end product in mind.

My chambered guitars are about 6 1/2 pounds...still lighter than solid paulownia!
 
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Re: Chambered vs. solid

There COULD be some difference in tone between solid and chambered. But near impossible to have the exact "same" guitar solid and chambered to actually compare.

The biggest, I repeat, biggest (by far) difference is the weight of the guitars.
 
Re: Chambered vs. solid

I would say that my solid Les Paul Historics are brighter sounding than my other chambered Les Pauls (two Supremes, Elegant, two Classic Antiques). But there are significant differences in neck joints and pickups. I'd put the two weight-relieved 1960 Classics closer to the Historics than the chambered guitars.

Bill
 
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