Well before I started my first PU change project, I thought my way would be clear. Now I see that there is a tangled overgrown forest of good information tangled w/ misconception, exaggeration, deceit and outright BS.
Issue #1:
First there are the wiring schemes. I've read one author that seems to think that modern LP wiring is a crime against humanity. Naturally this chap favors the old 59 LP Sunburst wiring with the caps wired btw the vol and tone pots on specific lugs. For this guy, the Holy Grail also features Bumblebees caps, Centralab tone pots and the like. But at least he does suggest that there are modern components which are equivalent. Sheeeesh!
Nevertheless, having tried out the Gibson VOS LP which is supposed to be a reissue of the 50 and 60's period guitars, I'll have to agree that the old setup does seem to have a little extra mojo compared to their modern counterparts.
Issue #2:
This one really irritates me the most! Yes, I mean the long standing debate over which pots, linear or audio! OMG! My head is spinning over this one. One camps says, "Audio for vol & linear for tone". Another camp says, "Audio for both". Yet another says, "Linear for vol & audio for tone"!
To complicate matters further there is the complaint that the taper on modern audio pots are inferior to their antique counterparts, with modern pots having an 80:20 ratio while old Centralab supposedly had 70:30 or 60:40.
For example one guy claims that having a linear tone pot will give you smooth tone changes along the entire sweep of the pot. Yet another guy claims that a linear pot is basically an on/off switch, with noticeable tone changes occurring only btw 1 & 2 on the dial and no noticeable change btw 3 - 10! What the hell can I believe.
I do know however, that most guitar mfgs go with audio pots in both control sets. But I've seen $100 pots for God's sake!
Issue # 3
Caps are not created equal? Ceramic disc, film, mylar, paper and oil, Bumblebees, Mallories, Havs, Orange Drops, Vitamin Q's and all sorts of outrageous prices to boot! I've seen $75 caps. You could by a new Epi LP by the time you get the wiring harness together! LOL!
Fortunately, there is an easy way to A/B caps.
Does anyone want to chime in on the seemingly ongoing Internet debates! But keep the discussion in the vintage arena! I understand that if you play Metal or a high gain style, then a vintage passive system may not be for you.
A. Wiring schemes modern vs vintage, pros and cons
B. Caps, tapers, the effect on tone and vol applications and the BS thereof
C. Does the brand name of a friggin cap really effect its ability to filter? LOL! I mean, what the hell is wrong with a good old Orange Drop for God's sake!
My personal opinion ...., "A sucker born every minute"! There just seems to be some ppl that want to take advantage of us pickup swappers! LOL!
Issue #1:
First there are the wiring schemes. I've read one author that seems to think that modern LP wiring is a crime against humanity. Naturally this chap favors the old 59 LP Sunburst wiring with the caps wired btw the vol and tone pots on specific lugs. For this guy, the Holy Grail also features Bumblebees caps, Centralab tone pots and the like. But at least he does suggest that there are modern components which are equivalent. Sheeeesh!
Nevertheless, having tried out the Gibson VOS LP which is supposed to be a reissue of the 50 and 60's period guitars, I'll have to agree that the old setup does seem to have a little extra mojo compared to their modern counterparts.
Issue #2:
This one really irritates me the most! Yes, I mean the long standing debate over which pots, linear or audio! OMG! My head is spinning over this one. One camps says, "Audio for vol & linear for tone". Another camp says, "Audio for both". Yet another says, "Linear for vol & audio for tone"!
To complicate matters further there is the complaint that the taper on modern audio pots are inferior to their antique counterparts, with modern pots having an 80:20 ratio while old Centralab supposedly had 70:30 or 60:40.
For example one guy claims that having a linear tone pot will give you smooth tone changes along the entire sweep of the pot. Yet another guy claims that a linear pot is basically an on/off switch, with noticeable tone changes occurring only btw 1 & 2 on the dial and no noticeable change btw 3 - 10! What the hell can I believe.
I do know however, that most guitar mfgs go with audio pots in both control sets. But I've seen $100 pots for God's sake!
Issue # 3
Caps are not created equal? Ceramic disc, film, mylar, paper and oil, Bumblebees, Mallories, Havs, Orange Drops, Vitamin Q's and all sorts of outrageous prices to boot! I've seen $75 caps. You could by a new Epi LP by the time you get the wiring harness together! LOL!
Fortunately, there is an easy way to A/B caps.
Does anyone want to chime in on the seemingly ongoing Internet debates! But keep the discussion in the vintage arena! I understand that if you play Metal or a high gain style, then a vintage passive system may not be for you.
A. Wiring schemes modern vs vintage, pros and cons
B. Caps, tapers, the effect on tone and vol applications and the BS thereof
C. Does the brand name of a friggin cap really effect its ability to filter? LOL! I mean, what the hell is wrong with a good old Orange Drop for God's sake!
My personal opinion ...., "A sucker born every minute"! There just seems to be some ppl that want to take advantage of us pickup swappers! LOL!
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